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Showing posts with label Gojira. Show all posts
Showing posts with label Gojira. Show all posts

Monday, 19 November 2018

VIDEO PREMIERE: Southern Ohio progressive grunge band Static Tension debut "Bury My Body"




As a follow up to their 2017 EP "Out Of Reach", Static Tensionwill re-emerged with their first full-length album "Ashes To Animation", which is set for release in January of 2019.  The Southern Ohio based quartet delves into new musical territories with this new release, offering a full pallet of sounds ranging from soft acoustics to intricate, progressive metal riffs. 

Drawing upon influences from classic rock, grunge, and progressive metal, Static Tensioncreates a sound unique to their own, self described as "Progressive Grunge".  The band's influences are vast and diverse, at times resembling classic sounds of Led Zeppelin and Black Sabbath, while also channelling a grungy, sombre atmosphere similar to Alice In Chainsand Soundgardenwith hints of modern, heavy tones of Mastodon and Gojira. 

“Bury My Body” is a song that touches on the final breaking point in a person - the moment that makes their end seem appealing to them. Nobody really wants to die unless their life is more painful than they can imagine their death being. The song also has undertones of wanting to disappear completely - to be buried alone and not remembered at all, just erased from all memory. Life is not always butterflies and roses, and this song is a reflection of those aspects. 

Despite the tracks heavy subject matter, mental health is something that everyone needs to talk about, because conversation can be therapy in itself.  So what better way to deal with dark feelings of one’s own thought that to channel that into music, which can act as catharsis for the composes but as also be used a therapy for the listener.  “Bury My Body” is streaming in full below, so crank it up and allow this music to be your catharsis




Band info: facebook || bandcamp

Thursday, 19 October 2017

TRACK PREMIERE: Nomasta infuse doom laden thrash amidst bursts of elephantine riffs on new track “This Trail Got The Best Of Us'



From the ashes of SLUDGELORD favourites Canaya, step forth a brand new 3 piece conjuring up their own malevolent blend of noise magic.  'With the metallic edge of Mastodon and Gojira, mixed with the punishing tones of High On Fire and Kvelertak', Leeds based Nomasta infuse doom laden thrash amidst bursts of elephantine riffs and dancing time signatures, creating a new blend of sonic brutality for discerning metal fans. 

Today at THE SLUDGELORD, it gives us great pleasure to premiere brand new music, in the form of “This Trail Got The Best Of Us'  taken from Nomasta's forthcoming record 'House of the Tiger King', set to be released November 3rd.  Owen Wilson (Guitars, vocals) had the following to say about the track, which you can also stream below


“This Trail Got The Best Of Us' is a real nasty piece of work, in the most metal way! Musically it is an ode to the extreme music scene I was introduced to when I moved to Leeds in 2004, and to the friends I made along the way. Lyrically the song is about understanding how all things can come to an end. It can take huge amounts of mental strength and humility to detach from a situation and regardless of our personal investment, to accept failure and begin starting a fresh can often be the best avenue to pursue.




Band info: Bandcamp || Facebook

Tuesday, 14 March 2017

TRACK PREMIERE: Slagduster deliver grooved rhythms, technical riffing, odd time signatures and pummeling vocals on new single “Peeping Ron”



Hailing from Grand Forks, B.C, Slagdusternamed after, “a slang term local to our area for a piece of machinery that was used in the mines over a hundred years ago.” Isolation has most certainly bred inspiration in the shape of Slagduster. “We are the only four musicians in our small town driven to form a progressive metal band.”


Inspired by such giants as Goijira. Sikth, Meshuggah, Dillinger Escape Plan, Between The Buried And Me, vocalist Shane Sherman describes Slagduster’s sound as “progressive, groovy, creative, unique, heavy.” Set to release their sophomore album ‘Deadweight’ on May 5, 2017 the band feel their record will be well received by fans “Naturally our sound has come a long way since our debut release in 2010. The music is more complex, and much more developed, still heavy, but even more groove based. Listeners can expect to be challenged by focusing on the compositions, or lost in the musical landscape.”


‘Deadweight’ is due out on May 5, 2017 and will be available on Bandcamp, iTunes, Amazon, Spotfiy and all major online retailers.  Today were are exclusively debuting the band’s debut single 'Peeping Ron' which encompasses many aspects of their upcoming album 'Deadweight'. Grooved rhythms, technical riffing, odd time signatures and pummeling vocals, layered over complex drum work.  Enjoy! 





Band info: facebook|| official

Friday, 10 February 2017

VIDEO PREMIERE: Antithetical Swiss post-metal conglomerate Palmer deliver "Divergent"


Palmer- a band persistently forging their sound towards perfection for the last 16 years. This Swiss quartet is no typical four-four time metal combo straight off the rack. Palmer’s sound oscillates somewhere between post-metal and prog-rock with spherical timbres. This band works intuitively and without restraints and their creations reflect an energy of immediate presence.

Their new album ‘Surrounding The Void’contains 9 songs that boast originality. Inspired by di­fferent niches from the world of extreme metal, prog-rock, jazz and ambient sounds, Palmer have always followed their own distinct path, continually looking towards the future and pursuing their own individual Soundscape. ‘Surrounding The Void’ reflects Palmer’stypical aspects such as tension, relief and extreme dynamics. These core aspects are immediately apparent on the new album and seem even more mature and distinct.


Surrounding The Void’ is due for world wide release on 24th February 2017 through Czar of Bullets and you can check out the brilliant new video for “Divergent” below.  If you’re a fans of Gojira, Knut, Tool, Mastodon, Voivod, Isis set a soundtrack of Philip K Dick movie, then this is the band for you.  For the record, this album slays.  Be sure to buy/preorder the album here


Band info: official|| facebook

Sunday, 8 January 2017

THE 16 MOST POPULAR ALBUMS OF 2016: The Sour 16 End of Year List 2016


The Sour 16 End of Year List 2016
Whatever is going on in the world, in our personal lives, at work and at home, music is a constant source of escapism and as one year ends and another begins, the prospect that 2017 will bring another batch of fantastic releases is a mouth watering prospect. 

So, with that in mind, today we present the culmination of our efforts from 2016 and present “The Most Popular Albums of 2016” for your viewing pleasure.  I hope you had as much fun checking out the new music as we did presenting it to you. I’d like to bestow an immeasurable amount of gratitude to the contributors, who made this year so awesome. 

The results are compiled based on page views alone and calibrated into the list below. All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication are highlighted in red). 


16). Gozu - "Revival” (1753) 

At their core, Gozu is a bad ass American rock band. They’ve got heavy riffs in tow and bang out tunes loud enough to piss off the neighbors. But Gozu is more than this. Gozu is a songwriting machine, one that is able to churn out eight loud, hard hitting compositions without sacrificing the meaning behind the songs or the band.  Gozu’s “Revival” is gruff and dirty when it needs to be just as it’s swift and soulful when the time is right.


15). Slomatics - "Future Echo Returns" (1818)

When a band's guitarist has their own signature fuzz pedal, it's a safe bet that they can cut through solid rock with their riffs; when both guitarists have an alternate version of the same pedal then prepare your eardrums for some serious, rock crushing heaviosity. The towering heaviness of the riffs and the images of the infinite, shimmering darkness of space is executed and captured perfectly. An amazing album worthy of any and all praise it will undoubtedly receives.


14) Rob Zombie - "The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser" (1935)

Rob Zombie hits a home run with each gnarly cut, keeping the fire hot throughout. Pastor Snow was right. Rock n’ roll has a great beat. And that evil feeling you feel when you sing it? It’s a good feeling to feel!


13) Conan – “Revengeance” (1964)

The song 'Every Man Is An Enemy' has one of the most metal sounding titles I've ever heard and the violent intentions inherent in the brooding, bruising riffs put the bands money where its snarling mouth is. 'Earthenguard', the final track of the 6 on offer, is a song so heavy it has its own gravitational pull. Its 12 minutes of neanderthalic doom which also swims and swirls thanks to the phased guitars. It's an odyssey, a massive trek through mountainous chops and pounding beats that are designed to systematically cave your head in.  Have Conan outdone themselves? Quite possibly.


12). Neurosis - “Fire Within Fires” (2056)

As this decade has yet to close, it's difficult to define what Neurosis are...but herein lies their beauty; you define who and what they are to you. After 30 years, these guys know what needs to go into a Neurosis record and will continue to do so until the music is finished with them.


11). Periphery- "Periphery III: Select Difficulty" (2137)

Experimental metal bands like Periphery will (hopefully) never settle for sticking to one particular groove.  Constantly innovating, this adds to “Juggernaut”, jumping off from that platform and diving into dark, unexplored depths.  Music should surprise and inspire, and “Periphery III: Select Difficulty” does both with eye-opening results.  Just watch out for unexpected face-melting, okay?

 

10). Asteroid - "III" (2159)

It is a hugely diverse record and shows the advanced musicianship between the band, blending all kinds of stoner rock and fuzz. This is a band who are firmly on the rise to the top and know exactly how to get there. One of the best releases of 2016 without a doubt.


 09). Dunsmuir - "Dunsmuir" (2341)

Dunsmuir, manages the uncanny trick of amounting to the sum of its parts. The record's players have some serious pedigree and none if it is wasted. Vinny Appice is as powerful as ever, with a beastly snare sound, while Bone and Davis are a formidable strings team. Fallon puts in a hardworking and uniformly stellar shift as per usual.  Simply put, if you like Clutch and Dio-era Sabbath, you will be right at home here. If you are a fan of Fu Manchu, there are sounds for you here as well. This album rocks, it’s that simple.


08). Wretch – “Wretch” (2673)

This is a fine debut and a much needed shot of trad doom, with actual songs, - in an era of obsession with amps and pedals (but without, you know, actual songs and stuff). It is a triumph for this intrepid trio and surely there are great things to come for the band. Make no mistake, Wretch are here and Wretch will bring you real doom or throw you out of the bar if you don't like it.



07). Subrosa- "For This We Fought the Battle of Ages" (3040)

If you love really emotionally charged hard hitting music, give this record a listen. I had very high expectations of this record, and those expectations were met and then exceeded.


06). Meshuggah - "The Violent Sleep of Reason” (3065)

Trying to describe Meshuggah’s sound is a challenge.  The only way I can put it is that they’re a musical cascade: a never-ending barrage of sound and heaviness pounding down upon you. Don’t expect or ballad or moments of levity here, this is a relentless tide which you will not escape from.  Tracks like ‘MonstoCity’ and ‘Our Rage Won’t Die’ are pummelling tracks of new material which can easily be slotted in to their live setlist and not seem out of place.  In fact, the same could be said for any of those songs on display here: like a chain forged by Vulcan, there’s not a weak link present.  It all hits, and hits hard.


05). Gojira - "Magma”(3156)

‘Magma’ is a record that envelopes you with its overtly dark drama, but within its haze, its crushing catharcism makes it one of the most special metal records to be released in some time.  It may not be the relentless assault many fans wanted from the album – and that’s not to say it is barren of those moments – yet, as a vehicle for emotional cleansing, as a eulogy and an obituary for a woman who shaped the personalities that drive this act, it is staggering.


04). Suicidal Tendencies - "World Gone Mad" (3326)

It flows in a virtually flawless manner and I do believe “World Gone Mad” will be remembered as one of their best records, ever.  This one’s a home run with a bullet. 

 

03). Blood Ceremony “Lord of Misrule” (4006)

If you are new to Blood Ceremony, this album is as fine a place to start as any. If you have heard any of their previous albums and enjoyed them, your enjoyment of this one is guaranteed. This is as good an example as any of a band looking to the past both in terms of musical and folklore tradition to create fantastical and occult inspired music.


02). Megadeth - "Dystopia" (6616)

This line-up has introduced itself with a battering ram of thrash utopia; the riffs, the fury and the sizzling lead playing present here stands toe-to-toe with the bands best 21st century output.  It’s a record which accentuates the bands relevancy in 2016. Masters of their trade just listen to ‘Lying In State’ and tell me they can’t smash shit up with the best of them. They continue to release music and make the effort to give more content for their fans to consume. Not many other bands their age can say that.


1). Alter Bridge - (20,702)

If you have any interest in the more commercial end of the rock and metal spectrum i.e. Metallica, Maiden, Soundgarden and so on then this album could be a fine intro to the band. If you are a fan already you will enjoy this one immensely. Alter Bridge are leading lights in modern rock and may well be the last of a dying breed.



A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  September’s “Sour 16” features reviews by:  Richard Maw, Theron Moore, Dan Brownson, Jake Wallace, Phil Weller, Chris Markwell, Chris Bull & Victor Van Ommen

Friday, 9 December 2016

ALBUM REVIEW: Car Bomb - "Meta"

By: Charlie Butler

Album Type: Full Length
Date Released: 28/10/2016
Label: Independent


It is rare to hear heavy music that sounds genuinely original in 2016.  Imagine Will Haven playing Meshuggah and you get a strong approximation of the mathematical rage on display here.


Meta” CD//DD track listing:

1. From The Dust Of This Planet
2. Secrets Within
3. Nonagon
4. Gratitude
5. Constant Sleep
6. The Oppressor
7. Black Blood
8. Sets
9. Cenotaph
10. Lights Out
11. Infinite Sun

The Review:

When listening to Car Bomb’s new album, “Meta”, it is often hard to comprehend that this music has been played by human beings. The reality that this record was played by four guys from Long Island seems less plausible than the possibility it is the product of a group of psychotic malfunctioning robots with time-distortion capabilities. 

From the crushing opening of “From The Dust Of This Planet” to the parting shot of “Infinite Sun”, “Meta” is a whirlwind onslaught of unpredictable machine gun chuggery, insane octopus drumming and sharp detours into warped, melodic worlds. Imagine Will Havenplaying Meshuggahand you get a strong approximation of the mathematical rage on display here.

Whilst insanely complicated, Car Bomb manage to avoid sounding clinical. Everything is played with an unhinged energy and intensity that adds an element of chaos and human fallibility to their music. This separates them from bands that place technique above all else and sound like a soulless guitar shop/drum clinic performance.

Gratitude” may be the surprise highlight of the record and is the closest thing here to a traditional song, albeit one smashed to pieces and roughly reassembled into a fractured reflection of its former self. This track sees the band bring their melodic side to the fore while still incorporating their trademark piledriver riffage. Passages of intricate math-rock in the vein of Minus The Bear are interrupted by outbursts of violent distortion before giving way to a sky-scraping chorus reminiscent of Deftonesand Torche. There is a disorienting woozy feel as tempos and pitches shift, like listening to a record at an ever-shifting speed while it melts in the sun.

It is rare to hear heavy music that sounds genuinely original in 2016. Although it feels like there are some obvious influences on Car Bomb’s sound, the way they bring all of the individual elements together in their unique style makes “Meta” sound like an alien transmission from another dimension. Wherever this noise is coming from, I want to go there right now.

Meta” is available here

Band info: bandcamp || facebook

Tuesday, 27 September 2016

ALBUM REVIEW: Meshuggah - "The Violent Sleep of Reason"

By: Chris Markwell

Album Type: Full Length
Date Released: 07/10/2016
Label: Nuclear Blast


Trying to describe Meshuggah’s sound is a challenge.  The only way I can put it is that they’re a musical cascade: a never-ending barrage of sound and heaviness pounding down upon you.  Don’t expect or ballad or moments of levity here, this is a relentless tide which you will not escape from.  Tracks like ‘MonstoCity’ and ‘Our Rage Won’t Die’ are pummelling tracks of new material which can easily be slotted in to their live setlist and not seem out of place.  In fact, the same could be said for any of those songs on display here: like a chain forged by Vulcan, there’s not a weak link present.  It all hits, and hits hard.

“The Violent Sleep of Reason” CD//DD//LP track listing:

1. Clockworks (7:15)
2. Born In Dissonance (4:34)
3. MonstroCity (6:13)
4. By The Ton (6:04)
5. Violent Sleep Of Reason (6:51)
6. Ivory Tower (4:59)
7. Stifled (6:31)
8. Nostrum (5:15)
9. Our Rage Won't Die (4:41)
10. Into Decay (6:32)

The Review:

In all honesty, there is one band that should spring into the mind of every metalhead when the word ‘djent’ is uttered.  In fact, if you believe there is a hierarchy among prog and djent bands, then Sweden’s Meshuggah is king: hell, the term itself was coined from the sound made by these guys.  Irrespective of whether you like or loathe the term, you can’t help but marvel at the uniqueness at which these people decided to create music.  Innovative, gifted, heavy, these guys make heavy music like ordinary people make toast.  Seriously, it’s almost annoying how easy they make it all look.  2012 saw the release of Meshuggah’smost commercially successful album to date (“Koloss” and, seriously, get yourself a copy if you haven’t already); October 7th, 2016 sees their return to your speakers with “The Violent Sleep of Reason”.  Best warn those things in advance, because it is going to get heavy. 

Trying to describe Meshuggah’s sound is a challenge.  The only way I can put it is that they’re a musical cascade: a never-ending barrage of sound and heaviness pounding down upon you.  Don’t expect or ballad or moments of levity here, this is a relentless tide which you will not escape from.  Fans of earlier releases like “obZen” and “Nothing” will find themselves comforted by the fact that Meshuggah’score groove has not been changed, which gives a good foundation in the familiar, but is then built on with track after track of great and vibrant new music, building something you can truly marvel at. 

Considering 2017 will be the 30thanniversary of Meshuggah’sinception, their sound feels more contemporary than classic.  Their rabid desire to explore and create means each album seems to advance upon the previous album, rather than rigidly stick to ‘safe’ boundaries and go no further.  Tracks like ‘MonstoCity’ and ‘Our Rage Won’t Die’ are pummelling tracks of new material which can easily be slotted in to their live set list and not seem out of place.  In fact, the same could be said for any of those songs on display here: like a chain forged by Vulcan (the Roman God of metalworking, not the Star Trek dudes), there’s not a weak link present.  It all hits, and hits hard. 

Meshuggah released ‘Nostrum’as a preview for listeners and, personally speaking, it was a great bit of bait to put onto the hook.  Once you took a bite of that dissonant, eerie, polyrhythmic slab of raw sound, that was it.  Reel you in, gut you, cook you, eat you.  Meshuggah had me on a plate.  The Violent Sleep of Reason” is made by a band that is the same age as me, yet shows no sign of strain or weakness.  Their sound has never been a more vital alternative to the mainstream than now, and this latest offering will no doubt be hailed as one of the pivotal albums of 2016.  Wake up and get yourself a copy as soon as you can. 

“The Violent Sleep of Reason” is available here

Band info: official|| facebook

FFO: Gojira, Fear Factory, Strapping Young Lad, Xerath

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