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Showing posts with label Alter Bridge. Show all posts
Showing posts with label Alter Bridge. Show all posts

Thursday, 12 October 2017

ALBUM REVIEW: Absolva - "Defiance"

By: Richard Maw

Album Type: Full Length
Date Released: 28/07/2017
Label: Rocksector Records



For anyone interested in melody and hooks, they will find them here. The guitar pyrotechnics are astonishing- really good solos- and the band as a whole sound very cohesive, live and tight. The UK's best kept secret in metal? Not for much longer. Absolva will soon reign!! 

“Defiance “CD//DD track listing:

CD 1

1. Life on the Edge
2. Defiance
3. Rise Again
4. Fistful of Hate
5. Never Be the Same
6. Alarms
7. Connections
8. Midnight Screams
9. Life and Death
10. Eclipse
11. Who Dares Wins
12. Reflection

CD 2 (Bonus)

1. Harsh Reality
2. Hundred Years (Live)
3. Live for the Fight (Live)
4. Drum Solo (Live)
5. Code Red (Live)
6. Never A Good Day to Die (Acoustic)
7. It Is What It Is (Acoustic)
8. Never Back Down (Acoustic)


The Review:

Absolva return with studio album number four. This Manchester metal band are amongst the hardest working in the business- three of them are Blaze Bayley's band and have played on his latest albums, one plays with Iced Earthas well! Holding down two regular bands is enough of a feat on its own, but to produce this level of quality across the board... well, that is another proposition entirely.

For those who are unfamiliar, Absolva are a heavy metal band. Not thrash, not trad, not blackened sludge with ambient passages: heavy metal. I suppose that their sound is mid way between, say, Judas Priest, Accept, Alter Bridge and Metallica. “Defiance”follows up the rather excellent never “A Good Day To Die” and continues down that road- while being a little heavier and a little more rocking to my ears.

Opener “Life On The Edge” sets the tone- blazing guitars, superb clean vocals and a meaty production. The title track is just as good- catchy and anthemic with a strong refrain. Truthfully, Absolva would go down really well as a support for any of the aforementioned bands- and that is exactly the type of tour they need to push them over the edge from professional band into the rock start bracket. That these boys are not in the mainstream press and consciousness as much as they should be is ridiculous.

As the album's twelve tracks progress, the quality control is there- each track is different and brings hooks, melody and weight. The urgency of “Rise Again” is balanced by the strong hooks. The mid paced likes of “Fistful of Hate” sit alongside faster tracks such as “Never Be The Same” and melodic tracks such as “Alarms”, while the revved up charge of “Who Dares Wins” delivers a shot of adrenaline as a counterpoint to the more restrained fare.

For your money, you also get a bonus CD (or MP3s, I suppose) of acoustic versions from earlier albums and a selection of live versions. As a nice bonus, it's a winner- it encourages the listener to delve into the back catalogue and gives value for money.

For anyone interested in melody and hooks, they will find them here. The guitar pyrotechnics are astonishing- really good solos- and the band as a whole sound very cohesive, live and tight. The UK's best kept secret in metal? Not for much longer. Absolva will soon reign, after all Maiden and Saxon won't be around forever.

“Defiance” is available here



Band info: official || facebook

Sunday, 8 January 2017

THE 16 MOST POPULAR ALBUMS OF 2016: The Sour 16 End of Year List 2016


The Sour 16 End of Year List 2016
Whatever is going on in the world, in our personal lives, at work and at home, music is a constant source of escapism and as one year ends and another begins, the prospect that 2017 will bring another batch of fantastic releases is a mouth watering prospect. 

So, with that in mind, today we present the culmination of our efforts from 2016 and present “The Most Popular Albums of 2016” for your viewing pleasure.  I hope you had as much fun checking out the new music as we did presenting it to you. I’d like to bestow an immeasurable amount of gratitude to the contributors, who made this year so awesome. 

The results are compiled based on page views alone and calibrated into the list below. All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication are highlighted in red). 


16). Gozu - "Revival” (1753) 

At their core, Gozu is a bad ass American rock band. They’ve got heavy riffs in tow and bang out tunes loud enough to piss off the neighbors. But Gozu is more than this. Gozu is a songwriting machine, one that is able to churn out eight loud, hard hitting compositions without sacrificing the meaning behind the songs or the band.  Gozu’s “Revival” is gruff and dirty when it needs to be just as it’s swift and soulful when the time is right.


15). Slomatics - "Future Echo Returns" (1818)

When a band's guitarist has their own signature fuzz pedal, it's a safe bet that they can cut through solid rock with their riffs; when both guitarists have an alternate version of the same pedal then prepare your eardrums for some serious, rock crushing heaviosity. The towering heaviness of the riffs and the images of the infinite, shimmering darkness of space is executed and captured perfectly. An amazing album worthy of any and all praise it will undoubtedly receives.


14) Rob Zombie - "The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser" (1935)

Rob Zombie hits a home run with each gnarly cut, keeping the fire hot throughout. Pastor Snow was right. Rock n’ roll has a great beat. And that evil feeling you feel when you sing it? It’s a good feeling to feel!


13) Conan – “Revengeance” (1964)

The song 'Every Man Is An Enemy' has one of the most metal sounding titles I've ever heard and the violent intentions inherent in the brooding, bruising riffs put the bands money where its snarling mouth is. 'Earthenguard', the final track of the 6 on offer, is a song so heavy it has its own gravitational pull. Its 12 minutes of neanderthalic doom which also swims and swirls thanks to the phased guitars. It's an odyssey, a massive trek through mountainous chops and pounding beats that are designed to systematically cave your head in.  Have Conan outdone themselves? Quite possibly.


12). Neurosis - “Fire Within Fires” (2056)

As this decade has yet to close, it's difficult to define what Neurosis are...but herein lies their beauty; you define who and what they are to you. After 30 years, these guys know what needs to go into a Neurosis record and will continue to do so until the music is finished with them.


11). Periphery- "Periphery III: Select Difficulty" (2137)

Experimental metal bands like Periphery will (hopefully) never settle for sticking to one particular groove.  Constantly innovating, this adds to “Juggernaut”, jumping off from that platform and diving into dark, unexplored depths.  Music should surprise and inspire, and “Periphery III: Select Difficulty” does both with eye-opening results.  Just watch out for unexpected face-melting, okay?

 

10). Asteroid - "III" (2159)

It is a hugely diverse record and shows the advanced musicianship between the band, blending all kinds of stoner rock and fuzz. This is a band who are firmly on the rise to the top and know exactly how to get there. One of the best releases of 2016 without a doubt.


 09). Dunsmuir - "Dunsmuir" (2341)

Dunsmuir, manages the uncanny trick of amounting to the sum of its parts. The record's players have some serious pedigree and none if it is wasted. Vinny Appice is as powerful as ever, with a beastly snare sound, while Bone and Davis are a formidable strings team. Fallon puts in a hardworking and uniformly stellar shift as per usual.  Simply put, if you like Clutch and Dio-era Sabbath, you will be right at home here. If you are a fan of Fu Manchu, there are sounds for you here as well. This album rocks, it’s that simple.


08). Wretch – “Wretch” (2673)

This is a fine debut and a much needed shot of trad doom, with actual songs, - in an era of obsession with amps and pedals (but without, you know, actual songs and stuff). It is a triumph for this intrepid trio and surely there are great things to come for the band. Make no mistake, Wretch are here and Wretch will bring you real doom or throw you out of the bar if you don't like it.



07). Subrosa- "For This We Fought the Battle of Ages" (3040)

If you love really emotionally charged hard hitting music, give this record a listen. I had very high expectations of this record, and those expectations were met and then exceeded.


06). Meshuggah - "The Violent Sleep of Reason” (3065)

Trying to describe Meshuggah’s sound is a challenge.  The only way I can put it is that they’re a musical cascade: a never-ending barrage of sound and heaviness pounding down upon you. Don’t expect or ballad or moments of levity here, this is a relentless tide which you will not escape from.  Tracks like ‘MonstoCity’ and ‘Our Rage Won’t Die’ are pummelling tracks of new material which can easily be slotted in to their live setlist and not seem out of place.  In fact, the same could be said for any of those songs on display here: like a chain forged by Vulcan, there’s not a weak link present.  It all hits, and hits hard.


05). Gojira - "Magma”(3156)

‘Magma’ is a record that envelopes you with its overtly dark drama, but within its haze, its crushing catharcism makes it one of the most special metal records to be released in some time.  It may not be the relentless assault many fans wanted from the album – and that’s not to say it is barren of those moments – yet, as a vehicle for emotional cleansing, as a eulogy and an obituary for a woman who shaped the personalities that drive this act, it is staggering.


04). Suicidal Tendencies - "World Gone Mad" (3326)

It flows in a virtually flawless manner and I do believe “World Gone Mad” will be remembered as one of their best records, ever.  This one’s a home run with a bullet. 

 

03). Blood Ceremony – “Lord of Misrule” (4006)

If you are new to Blood Ceremony, this album is as fine a place to start as any. If you have heard any of their previous albums and enjoyed them, your enjoyment of this one is guaranteed. This is as good an example as any of a band looking to the past both in terms of musical and folklore tradition to create fantastical and occult inspired music.


02). Megadeth - "Dystopia" (6616)

This line-up has introduced itself with a battering ram of thrash utopia; the riffs, the fury and the sizzling lead playing present here stands toe-to-toe with the bands best 21st century output.  It’s a record which accentuates the bands relevancy in 2016. Masters of their trade just listen to ‘Lying In State’ and tell me they can’t smash shit up with the best of them. They continue to release music and make the effort to give more content for their fans to consume. Not many other bands their age can say that.


1). Alter Bridge - (20,702)

If you have any interest in the more commercial end of the rock and metal spectrum i.e. Metallica, Maiden, Soundgarden and so on then this album could be a fine intro to the band. If you are a fan already you will enjoy this one immensely. Alter Bridge are leading lights in modern rock and may well be the last of a dying breed.



A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  September’s “Sour 16” features reviews by:  Richard Maw, Theron Moore, Dan Brownson, Jake Wallace, Phil Weller, Chris Markwell, Chris Bull & Victor Van Ommen

Friday, 11 November 2016

TOP 16 ALBUMS: The Sour 16 Chart for October 2016

By: Aaron Pickford

Alter Bridge


It is that time once again people to cast our minds back, and digest the 16 albums that would become October’s most viewed albums and form the basis for our sacrilegious ‘Sour 16’, the finest and most profane riffs around bundled together into a premium sized sonic soufflé.

You know the drill, each month; you the reader are unwittingly compiling a list of the top 16 records that we featured in October, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  The ‘Sour 16’ are the records that have been trending the most at Sludgelord Headquarters.

The results are compiled based on page views alone and calibrated into the list below. All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication is highlighted in red). 

16). Headless Kross - "Projection I” (377)
http://thesludgelord.blogspot.co.uk/2016/10/album-review-headless-kross-projections.html
 
15). Holy Serpent - "Temples" (404)


All in all, “Temples” is a great record.  Holy Serpent nailed it.  The songs are well crafted, well-structured, the vocals are right on and the music is perfect parts psych, doom, sludge and out right heaviness.  Don’t hesitate, buy “Temples” immediately.

http://thesludgelord.blogspot.co.uk/2016/11/album-review-holy-serpent-temples.html

14) Truckfighters - "V" (406)

All in all, a solid offering; a sound that is current; one that rocks effortlessly and one that proves regardless of line-up changes Truckfighters continue to be strong.

http://thesludgelord.blogspot.co.uk/2016/10/album-review-truckfighters-v.html

13) Zaum – “Eidolon (423)

“What makes Zaum’s music so intoxicating is the sheer density of their sound. Layers of synths, sitars, flutes and who knows what else, build up to create a foundation of all-encompassing drone for the bands epic compositions.  Prepare to be transported to a higher realm.”

http://thesludgelord.blogspot.co.uk/2016/10/album-review-zaum-eidolon.html


12). Various Artists - “Meantime (Redux)” (442)

Meantime (Redux)” is a face-melting reinterpretation of what many consider Helmet’s finest hour, it   pulls off the tricky balance of paying respectful tribute to a classic album while being an excellent listen in its own right. Hopefully it will introduce long-term Helmet fans to some exciting new bands and make any other people with their ears stuck in the underground realise that Helmet were great all along.

http://thesludgelord.blogspot.co.uk/2016/10/album-reviews-various-artists-meantime.html


11). Charred Wall of the Damned - "Creatures Watching Over The Dead" (460)


Richard Christy & Co have created something special with “Creatures Watching over the Dead.” It needs to be heard and talked about.  This is metal with heart.  Metal with soul.  And most of all?  Metal that’s larger than life.



http://thesludgelord.blogspot.co.uk/2016/10/album-review-charred-walls-of-damned.html


10). Vermin Womb - "Decline" (541)

Vermin Womb succinctly distill the essence of their sound into one word: “Violence”.  It is a grimly exhilarating ride, but an oppressive racket that is hard to resist.

http://thesludgelord.blogspot.co.uk/2016/10/album-review-vermin-womb-decline.html


09). Yawning Man - "Historical Graffiti" (563)


“Historical Graffiti” is a drug that calms the soul of the listener”


http://thesludgelord.blogspot.co.uk/2016/10/album-review-yawning-man-historical.html



08). Obsidian Kingdom – “A Year of No Summer” (578)

 
“This record is well constructed and the instrumentation is very impressive. But for those looking for similar fare to their previous work, they’d best keep looking.”


http://thesludgelord.blogspot.co.uk/2016/10/album-review-obsidian-kingdom-year-with.html

07). Black Tomb - "Black Tomb" (585)
 
http://thesludgelord.blogspot.co.uk/2016/10/album-review-black-tomb-black-tomb.html


06). Fistula - "The Shape of Doom to Cumm)))" (612)

The Shape of Doom to Cumm)))” is dripping with sardonic hatred for scenesters and fad chasers, scrapping rusty barbed wire across the speakers as if to wound those who listen. They bring the noise, the hate, and will tell you to your face if there’s even a hint at being a douchebag.
 
http://thesludgelord.blogspot.co.uk/2016/10/album-review-fistula-shape-of-doom-to.html


05). Witchthroat Serpent - "Sang-Dragon" (640)

This is a dominating record and something which the band can be sure will appeal to all kinds of fans of stoner doom and sludge. Witchthroat Serpent have left a deep scar in the genre and it will take a long time to heal with a record so devastatingly heavy.
 
http://thesludgelord.blogspot.co.uk/2016/10/album-review-witchthroat-serpent-sang.html

04). Watchtower  - "Concepts of Math: Book One" (781)

The guitars crunch, the vocals bite, and the band chemistry shines through on each song, almost as if they know what each other’s gonna do before they do it. A near perfect record, which for Watchtower, is pretty much par for the course.


http://thesludgelord.blogspot.co.uk/2016/10/review-watchtower-concepts-of-math-book.html

03). 40 Watt Sun – “Wider Than The Sky” (827)

Although the record may find itself on the fringes of metal, the empathetic feelings Walkershares over soaring ten minute tracks should cause anyone who has felt anything before to reflect in some meaningful way. “Wider than the Sky” challenges its listeners to reflect for themselves, because after all it’s important to remember where one stands. 40 Watt Sun’s latest record is likely to find itself among the best records released this year.

http://thesludgelord.blogspot.co.uk/2016/10/album-review-40-watt-sun-wider-than-sky.html

02). Asteroid - "III" (1716)
 
It is a hugely diverse record and shows the advanced musicianship between the band, blending all kinds of stoner rock and fuzz. This is a band who are firmly on the rise to the top and know exactly how to get there. One of the best releases of 2016 without a doubt.

http://thesludgelord.blogspot.co.uk/2016/10/album-review-asteroid-iii.html
 

1). Alter Bridge - "The Last Hero" (20494)

If you have any interest in the more commercial end of the rock and metal spectrum i.e. Metallica, Maiden, Soundgarden and so on then this album could be a fine intro to the band. If you are a fan already you will enjoy this one immensely. Alter Bridgeare leading lights in modern rock and may well be the last of a dying breed.

http://thesludgelord.blogspot.co.uk/2016/10/album-review-alter-bridge-last-hero.html

 
A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  September’s “Sour 16” features reviews by:  Richard Maw, Theron Moore, Charlie Butler,  Victor Van Ommen, TJ Kliebhan, Jake Wallace, Hunter Young, Kat Hilton, Stiq & Jay Hampshire




Sunday, 2 October 2016

ALBUM REVIEW: Alter Bridge - "The Last Hero"

By: Richard Maw
 
Album Type: Full Length
Date Released: 07/10/2016
Label: Napalm Records

 
 
If you have any interest in the more commercial end of the rock and metal spectrum i.e. Metallica, Maiden, Soundgarden and so on then this album could be a fine intro to the band. If you are a fan already you will enjoy this one immensely. Alter Bridgeare leading lights in modern rock and may well be the last of a dying breed.
 
“The Last Hero” CD//DD//LP track listing:
 
1). Show Me A Leader
2). The Writing On The Wall
3). The Other Side
4). My Champion
5). Poison In Your Veins
6). Cradle To The Grave
7). Losing Patience
8). This Side Of Fate
9). You Will Be Remembered
10). Crows On A Wire
11). Twilight
12). Island Of Fools
13). The Last Hero
14). Last Of Our Kind (Bonus Track)
 
The Review:
 
Alter Bridge are, of course, not sludge, or doom, or even metal really. They operate at the very start of the alternative/heavy music spectrum and could perhaps be described as modern hard rock- albeit with some metallic elements. Even though the band are all around the 40 years old mark, they are still one of the “younger” big bands and as such represent what can be achieved while playing real guitar music: you really can headline arenas if you get things right. After all, Iron Maiden aren't going to be around forever- and nor will Metallica.
 
“The Last Hero” finds the band in reflective mood and is the fifth album from the men who (sadly) made up the instrumental section of Creed (great musicians, mind) along with the prodigiously talented Myles Kennedy. “Show Me A Leader” kicks off with an intro and hooks galore there are  “woah-oh-woah-oh” Maiden-esque vocalisations, a huge solo, riffs and time and changes. In all, this is Alter Bridge's sound: melodic, sometimes heavy, most definitely rocking.
 
“The Writing On The Wall” is an up-tempo rocker with a big chorus, Kennedy's voice soaring. The album delivers two facets of the band in the first two tracks and does not stop there. “The Other Side” is slow and dark with more than a little Sabbathinfluence to the riffs. A storming and different track for the band with political and social commentary rather than their usual introspective leanings. This is great stuff.
 
“My Champion” screams “single” at you; hooks, positive vibes, anthemic sounds. The record sounds gorgeous, of course- as all Alter Bridge's albums have. The sound is thick, rich and vibrant with all instruments shining through in the mix. A slick monster of a track.
 
“Poison In Your Veins” turns up the heaviness- more akin to something from the recent Tremonti solo albums- and rocks along with intent and a big chorus. Each band member pulls their weight here, highlighting the fact that Alter Bridge have four superlative musicians in the line up. Again, for the big bands this is important. Think over the annals of rock history: weak links stand out. There are none here.
 
“Cradle to the Grave” is almost a throw back to some of the bands earlier work- more melodic, downbeat... but still wonderfully structured and delivered. Truthfully, I prefer the band's harder rocking material- but that is not to say that the more balladic stuff is without merit (see “Blackbird” in particular). “Losing Patience” ratchets up the riff factor and utilises interesting time changes and melodies. “This Side of Fate” shifts to more epic fare- slower tempos, elaborate soloing from Tremonti, and layers of guitars. It delivers the records most complex arrangement and production but does not quite reach the heights of “Blackbird”from 2007.
 
“You Will Be Remembered” is a ballad that is rather too American and anthemic for my tastes; perhaps it is a little too sweet. Naturally, the hooks are very strong though and you can certainly imagine this being played during a montage of a retiring NFL player- which could be a good thing, depending on your view point. Fortunately, “Crows on a Wire” comes back swinging with a fantastic riff, pinch harmonics and enough weight to appease those wanting to bang their heads. This is the material which the band excels at, in my view: heavy rock but still with melody. The band are operating at full whack here with nothing wasted over the four and half minutes.
 
“Twilight” shows another facet of the band- bitter sweet melodies and melancholic lyrical content. A fine track and sounds like an album closer to me. Again, this may be a strange comparison, but this is the second time in this review that I have mentioned Iron Maiden. I am not saying that the bands are alike, exactly, but both bands have a knack for writing complex but catchy music and Alter Bridge seems to have taken some pointers for vocal melodies and arrangements. “Island of Fools” features a kind of call and response arrangement to the riffage in the verses and then echoes the rolling riffs of “Cry of Achilles” from the preceding “Fortress” album. A fine up -tempo rocker to keep the listener awake down the back stretch.
 
The title track closes out this tour de force of modern rock music, stretching out over six and half minutes and mixing melody, muscle and even twin kick passages with an impressive dynamic range. “The Last Hero”, then, is a winner. By estimation the record is uniformly strong with only a balladic slip up here and there that is just not to my taste. It is excellently played, produced, arranged and realised and stands shoulder to shoulder with the band's best work prior (“ABIII”and “Fortress”). If you have any interest in the more commercial end of the rock and metal spectrum i.e. Metallica, Maiden, Soundgardenand so on then this album could be a fine intro to the band. If you are a fan already you will enjoy this one immensely. Alter Bridge are leading lights in modern rock and may well be the last of a dying breed. 
“The Last Hero” is available here
 
Band info: facebook

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