Resolutely traditional, old school Florida death metal with a modern production, iIn other words, for fans of the genre and band it is an absolute winner
“The 13thBeast” CD//DD//LP track listing:
1. End The Torture 2. Mandatory Butchery 3. Agony For The Chosen 4. Canvas Of Flesh
5. Born Of Pain 6. The Beast Awakened 7. Decimated 8. Bleed Us Free 9. Knife At Hand 10. Trapped Inside 11. Release The Soul
The Review:
Malevolent Creationare certainly one of death metal's old school elite and even with powerhouse vocalist Brett Hoffman gone, the band (Phil Fasciana and able cohorts) press forward. Lee Wollenschlaeger is a fine death metal vocalist, as is demonstrated by his opening growl on “End The Torture”- and he brings an almost NYHC aggression to his delivery. Once again, the sound is razor sharp, the production suitably brutal, the sound is timelessly death metal.
As is standard (now and then) the drums are triggered and thus audible in their intricacy. The sound is pro-toolsed and the performances are spot on. These days, you would be hard pressed to find the endearing amateur aggression present on some of the biggest bands' debut recordings, but what you get instead is machine like precision born of experience.
There are blasts aplenty (“Agony For The Chosen”), some very thrashy moments (“Mandatory Butchery”), plenty of shifting tempos (“Canvas of Flesh”) and all of these elements rearing their heads at various times in most tracks. Over the course of eleven tracks there is no real relaxation time- just straight ahead death metal. This is, though, so what did you expect?!
Try out “The Beast Awakened” if you want a flavour of the best elements of the record in one track (it slays!), but if you like Malevolent Creation you are pretty much guaranteed to like this album. Is it their best? To some listeners it will be, to some it will be “another” good MCalbum. That the band are keeping quality control high and are still putting out impressive records is highly commendable and something that cannot be said of many old-school bands.
That there is nothing new here goes without saying- “Decimated” would fit on any of their albums past or present- but death metal is a taste you develop and if the bug has bitten you in the past, suffice it to say that this album will satisfy all death metal needs and wants you may have.
As the album progresses through “Knife at Hand”, “Trapped Inside” and “Release The Soul” you will know exactly what kind of album this is: resolutely traditional, old school Florida death metal with a modern production. In other words, for fans of the genre and band it is an absolute winner. Enjoy.
Son of Cain deliver COC grooves and style mixed with the intensity and vocal approach of prime era Danzig, the end result is a mixture of dark and dangerous rock n roll
“Closer To The Edge” CD//DD//LP track listing:
1). Hit the Road
2). Born to Fail
3). Beyond
4). Like Stone
5). Old Man
6). Reach The End
7). Dead Corner
8). Human Prey
9). Boiled
10). Outro
The Review:
Son of Cain deliver COCgrooves and style mixed with the intensity and vocal approach of prime era Danzig. Sounds like your kind of thing? It will be, if you like those two bands. In particular, Danzig is writ large through the very core of this release. It's dark and hard rocking at the same time, it's as if the Evil Elvis upped sticks and move to... Portugal?!
Yep, this band is European and not from the USor even South America. Their geographical location doesn't matter to me at all- this is quality stuff and the two piece line up (drums/vocals and guitars/bass, unusually) handles the material well.
There is nothing you have not heard before, but so what?! Most bands are STILL copying Sabbathriffs, so a respectful nod to Mr Danzig is fine by me. From the opener “Born to Fall”, to the “Outro”, the influences are stamped on the bands sleeves (leather/denim/studded gauntlet- I assume). There is more to this than pure pastiche, though. “Beyond”is a rough rocker of a track and “Like Stone” is as hard and heavy as the title suggests.
The two band members nail the grooves admirably and the sound is rough and raw- Rick Rubin is not needed here as the energy crackles out of the speakers. “Old Man” really is like Prime Danzigcirca “Lucifuge” or thereabouts. The latter half of the album (you get ten tracks in total- without 99 bonus tracks!) is just as strong, with “Reach The End” rushing out fast and keeping a punk-ish energy in its frantic delivery- which contrasts well with a more laid back vocal.
“Dead Corner”utilises dialogue from what is surely one of the best films of all time and sets the tone for a low down and dirty song. The final trio of “Human Prey”- which showcases excellent melodies and use of variety/dymanics, “Boiled Up” and “Outro” keep the energy levels up and the vibe cranked to maximum darkness. This is dark and dangerous rock n roll- very enjoyable.
Undoubtedly, this is one of the best US doom releases of the year and sits alongside The Skull and Apostle of Solitude as one of the best albums in the genre for 2018.
“Pale Divine” CD//CS//DD//LP track listing:
1. Spinning Wheel 2. Bleeding Soul 3. Chemical Decline 4. So Low 5. Curse the Shadows 6. Shades of Blue 7. Silver tongue 8. Ship of Fools
The Review
Pale Divine have been playing this music for two and a half decades and it shows- in terms of quality and experience. This record is doom/stoner doom in the traditional sense. Think The Obsessed, Pentagram, Troubleand throw in a heavy dose of Sabbath and The Sword and that gives you a fair idea of what is on offer here. The band also have some trad metal in their veins too (some Maiden-esque passages here and there) and that melting pot makes for a very satisfying listening experience.
The vibe is pure doom and comparable to the dark and powerful atmosphere that Iron Manconjured up on their “South of the Earth” album. “Spinning Wheel” and “So Low” both have heavy doses of Maryland Doom within their structures and the sound is pleasingly raw and live. It's melodramatic, downcast and features superb riffing with twists and turns that Sabbathcirca “Vol. 4” would be proud of.
The bass work is fantastic- very Geezer. The drums are rock solid and tastefully done; nice fills here and there, good groove and good dynamic use of the kit. The guitar work is very Griffin/Iommi esque and therefore superb. The vocals are of course actual singing- rough edged and smoky and thus another huge plus for the record. In fact... there is nothing about this that I don't like.
With songs like “Ship of Fools” and the closing doom blues of “Shades of Blue”extending to the seven and eight minute territory, there is the possibility for the record to drag, but the playing time of around 45 minutes (or so, I am looking at the MP3 song lengths here and adding up) means that the record clips by at quite a rate and feels solid front to back. There are riffs and substances to die for in “Chemical Decline” as well as archetypal Sabbathian “fast bits”. “Bleeding Soul” manages an epic feel with a sub five minute running time- quite a feat.
If anything, the record builds up a head of steam as it goes; the back stretch providing some of the most satisfying music of the album. “Silver Tongues” is a grooving delight that fits alongside the best of US doom/stoner material. Conversely, “Curse the Shadows” strays a lot closer to proto doom/70's rock territory and is a nice change for the record.
The aforementioned “Shades of Blue” is a bassy and bluesy beast and closes the record in some style; large in sound and scope with a laid back feel to the grooves and delivery. Undoubtedly, this is one of the best US doom releases of the year and sits alongside The Skulland Apostle of Solitude as one of the best albums in the genre for 2018. It may well be that the Europeans have ruled the doom roost this year with superlative records from Dawn of Winter, Witchsorrow, Iron Void (cough!), Conanand Barbarian Hermit but this record is truly excellent and I have enjoyed reviewing it almost as much as I have enjoyed listening to it. Doom on, gentlemen, doom on.
All songs are great.All influences are present and correct. All aspects of the album are stellar. The best trad doom release of the year? Have a listen and decide for yourself.
“Pray for Doom” CD//DD track listing:
1. A Dream Within a Dream
2. The Thirteenth of November
3. Woodstock Child
4. The Sweet Taste of Ruin
5. Pray for Doom
6. The Orchestra Bizarre
7. Paralysed by Sleep
8. Father Winter (Sacrifice Pt. 3)
The Review:
Germany's greatest and purest doom band return with this monolithic slab of powerful and muscular trad doom. If you've heard “The Peaceful Dead” album, then you know that this band are one of the best in the whole genre.
“Pray for Doom” is a continuation of the lofty heights the band has set themselves via their back catalogue. The sound is immense- the drums are so thick and powerful- the bottom end is as muscular as Dorian Yates back in the mid 90's, the tempos are sluggish, and the songs are well thought out and presented with maximum emotional impact courtesy of the plaintive and ultimate-in-doom voice of Gerrit P. Mutz.
The Opener “Dream Within A Dream” tells you everything you need to know about the album; if you like it, then you will like the rest of the record. If you don't like it, then you don't like doom. End of.Highlights are genuinely hard to pick out, due to both the quality and the uniform approach of the record. The title track may be an obvious pick as it is a balladlike track, well-crafted and presented. That said, the hard rocking “The Thirteenth of November” might be more up your strasse... Either way, there is just quality all the way through this album.
In times when “doom” is sometimes just two-piece bands playing two chord riffs, Dawn Of Winter represent the best and most real deal available. All elements are doom. All songs are great.All influences (Vitusetc) are present and correct. All aspects of the album are stellar. The best trad doom release of the year? Have a listen and decide for yourself.
“Solitude and Savagery” deserves serious attention and is undoubtedly one of the breakout releases of this year
“Solitude and Savagery” CD//DD track listing:
1. Enter the Hermitage 2. Black Mass 3. No Sleep 4. Beyond the Wall 5. Lifebreather 6. Reawaken 7. Laniakea
The Review:
Barbarian Hermithail from Manchesterand play crushing stoner/sludge/doom. This is a band that is not afraid to play aggressively- like High on Fire- but also slow; like any doom band worth their salt you can name. The opener, “Enter The Hermitage,” sets it out for you. Straight in, no messing about, just some huge and fuzzy riffs with some maniac (Ed Campbell- who showcases serious versatility elsewhere!) shouting over the top.
There is plenty of variety here, too. There are passages of more thoughtful and melancholy music, both in the first and second track and beyond. There is quite some range on display. Suffice it to say, that by track two (“Black Mass”) I was absolutely sold on this album. This is what is needed in the underground and beyond at the moment- a band sounding not like anyone else, but featuring the best elements of quite a few bands. There is something here for fans of many different bands and sub genres. You like Orange Goblin? Try these guys out. You like High on Fire, ditto. In fact, from Sabbath to The Sword and from Conanto Candlemass: Barbarian Hermit may just appeal to fans of all those bands.
There are shades of the likes of Raging Speedhorn and The Rotted in “No Sleep” (and Motorhead, of course) while the epic might of “Beyond The Wall” is crushingly powerful with a fantastic solo. Nothing outstays its welcome here; there are no short songs and most tracks stretch out over six minutes plus (the closing “Laniaka” is eleven epic minutes!) but it all feels like it flies by at a clip. The band's approach makes this happen; each track is different and brings a slightly different approach, while remaining consistent in vibe and feel. It's no small trick to pull off but the band achieve it with ease. This is a proper album and I think one that might become very influential going forward.
This is not simple two chord/two piece sludge and nor is it just Sleepworship or a cheap copy of any other band. The production, courtesy of the effervescent Chris Fielding at Skyhammer studio is immense and as usual Chris has achieved a crushing drum, guitar and bass sound. The clarity of the mix and the sheer weight adds a good deal of muscle to the album and, having worked with Chris myself, I can hear his audio-stamp of authenticity throughout the record.
The album is just as weighty down the stretch- “Reawaken” features a riff that Iommi would be proud of and some guitar work that Mastodon might find a home for on any of their better work. “Life Breather” before it is versatile and deft in its mood swings. The aforementioned “Laniaka” is eleven minutes of schizophrenic and groovesome riffage. It's a tour de force ending to one of the best albums I have heard in 2018.
Barbarian Hermithave it; that intangible factor that makes this album like lightning in a bottle. “Solitude and Savagery” deserves serious attention and is undoubtedly one of the breakout releases of this year. These guys could really fly the flag for the UKunderground and reach the heights of Conan; as a singular band operating in a field of one. They'll spawn imitators, sure, but I know the real deal when I hear it. Superb.
Taken for what this is, though, I can say that “Symphonic Terror” is immensely enjoyable and entertaining.The album represents a unique performance and demonstrates a band at the top of their game
“Symphonic Terror: Live at Wacken 2017” CD//DD//LP track listing:
CD 1: 1. Die by the Sword 2. Restless and Wild 3. Koolaid 4. Pandemic 5. Final Journey 6. Night on Bald Mountain 7. Scherzo 8. Romeo and Juliet 9. Pathétique 10. Double Cello Concerto in G Minor 11. Symphony NO. 40 inG Minor CD 2: 1. Princess of the Dawn 2. Stalingrad 3. Dark Side of My Heart 4. Breaker 5. Shadow Soldiers 6. Dying Breed 7. Fast as a Shark 8. Metal Heart 9. Teutonic Terror 10. Balls to the Wall
The Review:
Accept, as of last week, are now down to one original member- Wolf Hoffman. However, for this unique 2017 concert at Wacken, Peter Baltes was still there on bass- even if Hermann Frank had departed as rhythm guitarist. As has been documented in past reviews, I feel that Mark Tornillo is every bit as good as Udo Dirkschneider and he has now headed up the band for ten years. As the title suggests, this is a full live gig with a difference- the central portion of the performance marries Acceptup with a symphony orchestra- which then stays for the latter half of the gig! The first section of the release is a straight ahead metal performance, the middle section features Hoffman with orchestra- utilising his “Headbangers Symphony” solo album as the basis- and the latter half of the record treats the audience to classic Accept songs accompanied by the orchestra.
So, how essential is this? Well, not essential at all. It's a live album with an orchestra attached to two thirds of it. However, that view may be doing this record a disservice. To be sure, the central section is very stirring indeed and is actually successful in combining metal with classical. Its leagues ahead of Metallica's“S & M” effort of nearly 20 (!?) years ago and much more interesting than Deep Purple's misfiring “Concerto for Group and Orchestra”. The latter part of the release is also an interesting experiment- but much more in the vein of Metallica'saforementioned effort.
I could not claim that “Princess of the Dawn” is enhanced by the presence of the orchestra, beyond it being... different and more grandiose. The band wisely chose some of its more theatrical and grand material for the latter half of the gig and it is a thrill to hear “Stalingrad” with classical backing. I think the thing here is that if you like Accept, you will like this record.
I love Acceptand they are one of the best live bands I have ever seen. Hearing their songs with a new twist is interesting and a diverting listen. Will this take over on regular rotation from the superb “Restless and Live” record from a year or two back? No. While “Symphonic Terror” does boast the chance to hear some of the tracks from “The Rise of Chaos” in a live setting it is too much of an oddity to usurp a straight ahead live record.
Taken for what this is, though, I can say that “Symphonic Terror” is immensely enjoyable and entertaining. The central orchestral section really works and is testament to Hoffman's ability as a writer and player that it sounds so grand and cinematic. The album represents a unique performance and demonstrates a band at the top of their game. Having released a straight ahead live compendium recently, the band can play around with its sound and put out this album- why not? Recommended to all Accept fans and fans of classical music. For those new to the band, start elsewhere.
“Symphonic Terror: Live At Wacken 2017” is available now
there are no bad tracks here and over the course of the eight tracks the band have crafted a fine and vicious album. Valafar are a band to watch and they are destined for greater things
“Wolfenkind”CD track listing:
1). Úlfhéðnar
2). Brotherhood of the Wolf
3). Path of the Warrior
4). Bloody Spoils of War
5). Shunned from the Light
6). The Ballad of Plainfield
7). Odin’s Call
8). Born of the Nine
The Review:
Valafar hail from West Yorkshire and have imbued this Viking/death/metal with a good deal of the grit the region is famed for.Keighley and surrounding areas would historically have been part of Northumbria in the dark ages, as would (oddly)a fair bit south of the River Humber as well- everything from Lincoln upwards was firmly Viking territory. It is not so strange, then, that these Yorkshire bruisers would be espousing a Norse doctrine and bringing tracks enthralled to the Ulf/Varg/Ulva in the form of “Brotherhood of the Wolf”.
With other tracks named “Path of The Warrior”, “Odin's Call”, “Born of the Nine...” you know what to expect thematically from those titles! Musically, this is absolutely rock solid- good production job, growled vocals, tales of glory and mayhem; it's all here. I suppose as a reference point this is kind of like a death metal Grand Magus. There are cracking riffs to be had here, it's not mindlessly “brutal” as the songs are thought out and the band has brought some seriously groove filled and sludgy riffs.
In short, this is not just speed for speed's sake death metal, but neither is it anything less than very heavy. There is something here for fans of death metal, trad metal, thrash metal and even doom metal, as well as Vikings of course. Sound wise, this is perhaps closer to Swe-death than Florida death metal, but Euro death is closer again to the mark. Think Asphyx jamming with Grand Magus via Revel in Fleshor similar and you are getting there.
To be clear, there are no bad tracks here and over the course of the eight tracks the band have crafted a fine and vicious album. Valafar are a band to watch and they are destined for greater things- watch this space and get out to see them live when you can. Stirring stuff.
This record is wedded to the corpse of early to mid 90's old school DM and is all the better for it
“Regime Decay” CD//DD track listing:
1). Eye for an Eye
2). No Amnesia
3). Malodorous
4). Hunted
5). Hells Messiah
6). Hedonistic Gluttony
The Review
Six of Swords, Canada's finest death metal troupe, return with this beastly collection of six prime cuts. “Polar Vortex” was an EP release that ran surprisingly hot, reviewed on the blog a few years ago. This record has taken all elements present there and ratcheted them up a notch.
Once again, the production is clear and powerful and the opener “Eye for an Eye” demonstrates that there is more to the band than out and out speed. The main refrain is straight out of the classic Morbid Angel playbook and the band keep things reined in tight- the expected blast never comes and instead this track is a crawling wretched beast. “No Amnesia” changes gear but not style- very pleasingly, this record is wedded to the corpse of early to mid 90's old school DM and is all the better for it.
Once again, the vocals alternate a little with lows as the main course and highs as the extra. “Malodorous” is a fetid exhalation of doomy breath, but the band also switches up to much faster pacing here as well. Excellent lead work and unexpected dynamics come up for air here too- great track. “Hunted” continues the tar-thick vibes and brings with it an Entombed-esque rhythmic approach.
“Hells Messiah” and “Hedonistic Gluttony” continue with some Euro/Swe-Death flourishes and it is clear that SOS have built upon the great “Polar Vortex” to hone and expand their sound. There are some great riffs here, some great leads, an excellent production and nothing that goes too over the top- no endless blasting, no pointless tracks that go nowhere. This is a focused and lean release that I heartily recommend to fans of any band mentioned in this review.
For listeners prepared to take this grim journey, there are impressive rewards to be had. Not for the faint hearted, but certainly this album is one of the best releases this year in doom or any other genre. The whole album is a grim steed, plodding inexorably towards its own fate. Fantastic.
“Sentiment” CD//DD//2LP track listing:
1). In Its Absence
2). Pools of Reflection
3). Sentiment
4). A Garden Where Nothing Grows
The Review
Well, there are four tracks here, nothing much under twelve minutes in length and there has been a sizeable buzz surrounding this record for many weeks prior to me sitting down to review. So what is going on with Un's “Sentiment” album- their sophomore release?!
For starters, melancholic clean work opens up and then gives way to a truly huge and crushing passage of music. Obviously, from the song lengths alone, it is reasonable to assume that this is an album that is in the arena of the doom genre- and it is, loosely. This is nothing really like Sabbath, Vitus, Trouble, Candlemass et al- it is not trad doom by any stretch. It does fit into the more modern interpretation of the genre label- think Conan, Yob and so on.
The vocals are of the growled variety (not on every track though, so keep an ear out!), the sound is absolutely enormous and the mix is excellent. This is very, very weighty stuff indeed and by the time opener “In Its Absence” has finished, the tone has been set. There is nothing uplifting here: only the darkest and murkiest riffs and sounds are to be found here. It's a downbeat listen, as song titles such as “Pools of Reflection” suggest. The title track is just as sprawling and epic in approach and utilises the same clean opening (yielding a promise of something sweeter than the bitterest of fruit which is actually then served up).
There are echoes of Paradise Lost at their gloomiest, echoes of Yob at their trippiest and there are hints of death metal, psychedelia and even shoe-gaze here and there. The closing statement of “A Garden Where Nothing Grows” is a dark and bleak vision and it really sums up the whole record very well. Any track here would sum up the release as a whole as it is a very strong whole and is nothing if not consistent.
Yep, “Sentiment”fits into the doom bracket, but there is a great deal going on here. For listeners prepared to take this grim journey, there are impressive rewards to be had. Not for the faint hearted, but certainly this album is one of the best releases this year in doom or any other genre. The whole album is a grim steed, plodding inexorably towards its own fate. Fantastic.
Castle remain unique and mix up the sounds and approaches of many of your favourite bands to create a superlative heavy metal record
“Deal Thy Fate” CD//DD//LP track listing:
1). Can’t Escape the Evil 2). Skull in the Woods 3). Prelude 4). Hexenring 5). Wait For Dark 6). Deal Thy Fate 7). Haunted 8). Red Phantom 9). Firewind
The Review:
Castle have been on quite the prolific run since 2011; this is their fourth full length. 2016's “Welcome To The Graveyard” was a great, great album and my favourite of theirs to date. Is “Deal Thy Fate” a step forward, sideways or back? Either read on or go and listen to it to find out...
The band remain with a foot/other body part in several different camps. It's not doom, it's not trad, it's not thrash, it's not rock. In fact, it's all those things mixed together. The band have a spooky vibe and veer towards the doom rock of Pentagramat times, but there are many riffs here which lean towards, or even heavily on, Slayerfor reference. From the opener of “Can't Escape the Evil” and into“Skull in the Woods”, you can only assume that Castlehave summoned Jeff Hanneman's spirit and he has communicated what he would have played from beyond the grave, leading Mat Davis to oblige. That's not to take away from the material, it's a fresh angle for the band and they work it well.
Over the course of the eight tracks and one interlude here, Castle have added to their sound and built solidly on their previous three records. “Hexenring” could have nestled very comfortably into “WTTGY” and the vocals of Liz Blackwell are as stellar as ever. “Wait For Dark”is dramatic and evil in delivery and riffage and shows the band have retained an endearing rawness to their approach. My digitally provided copy has a few glitches here and there- it is hard to ignore at times with a couple of jumps in this track and others.
Digital issues aside, the sound of the album and the title track are reassuringly analogue. The evil and dark vibes continue and work really well with Blackwell's schizophrenic vocals. Once again, Castle are hard to pigeon-hole; the title track could be out of the Angel Witch NWOBHM play book, while “Haunted” goes much further towards hard rock. There may be nothing as immediate as “Flash of the Pentagram” here, but the songs throughout are uniformly strong and the production is perfect for the band.
The melting pot of hard rock and Slayer-esque riffing continues with “Red Phantom” and it delivers a storming and hard rocking penultimate track for this confident album. For the closing “Firewind”, Castle slow things down and offer up a track which starts effectively as a maudlin ballad and then gets heavier. Hey, if it's good enough for 70's era Priest... it's good enough for anybody. Castledeliver a surprisingly emotional final statement and close out the album with strength and purpose. The band have progressed here, no doubt, and they have set themselves up for a broader sound on their next album- should they wish to deliver such a thing. Castle remain unique and mix up the sounds and approaches of many of your favourite bands to create superlative heavy metal and hard rock. Excellent.
Order “Deal Thy Fate”direct from the band HERE and via Ripple Music HERE.
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