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Showing posts with label Cirith Ungol. Show all posts
Showing posts with label Cirith Ungol. Show all posts

Wednesday, 2 August 2017

TOP 16 ALBUMS: The Sour 16 (July 2017)

Olde

Yes, it is that time again O ye lover of riffs, “THE SOUR 16” returns.  You know the drill by now, each month you the reader are unwittingly compiling a list of the top 16 records of the month, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  To put it simply, THE SOUR 16 are the records that have been trending the most at THE SLUDGELORD Headquarters.

The results are compiled based on the amount of page views the reviews have received and are then calibrated into the list below.  All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication are highlighted in the red)

16). Entrails - “World Inferno” (370)

I can't find any fault with this album from intense opener to epic closer of “The Blood Breed”, the band don't put a foot wrong. This is raging death metal, plain and simple












15). Viscera/// - “3: Release Yourself Through Desperate Rituals” (373)



"If one were forced to classify the band’s current sound, post-metal might be the safest category, but even that vaguely defined subgenre does not quite do the band justice, as it fails to mention the strains of psychedelia, black metal, hardcore, death metal and the band’s grind roots to are still very present in VISCERA///








14). Eternal Black - "Bleed The Days" (374)



The sheer weight of the riffs will indeed threaten to pull you under, as they deliver just the right amount of menace to go with the fuzz. There is a hefty dose of soul in the music here, along with a pervading blackness.










13). Norska - "Too Many Winters" (393)



“Too Many Winters” is a captivating collection of powerful doom steeped in Norska’s unorthodox and compelling personality.











12). Cloud Rat/Disrotted - "Split LP" (413)



This is an awe-inspiring release from two incredible bands who can seemingly do no wrong at the moment and continue to deliver an embarrassment of heavy riches in 2017.










11). Goatwhore - "Vengeful Ascension" (458)



“Forsaken” jumps out of your speakers and down your throat and suffocates and entertains the listener in the best way possible. There’s nothing quite like what this band can deliver – the riffs, vocals and drumming is first class and unique









10). God Dethroned - ‘The World Ablaze’ (466)



If you’re a longtime fan like me, this album is everything you’d want and then some. ‘The World Ablaze’ is all of the best elements of the God Dethroned’s entire discography amalgamated into a single album.










9). God Root - "Salt and Rot" (518)



God Root have managed to craft one of the most ambitious, progressive, and emotionally harrowing offerings of 2017.  The cosmic journey of “Salt and Rot” is one that will leave you shaken to your fleeting, human core.










8). Voivod - "RRRÖÖÖAAARRR", "Killing Technology", "Dimension Hatröss" (Reissues) (534)
















7). Wounded Giant - "Vae Victis" (581)



there are moments of majestic riffing and an impressive amount of variation on offer











6). Owlcrusher - "Owlcrusher" (697)



With three tracks spread across 45 minutes, each song embraces sprawl and space: the reverb heavy drum tone pounds like the pulse of a leviathan.  The low end guitar tone crackles with fuzz, while the bass rumbles so menacingly that, with the right sound system, you may get your guts churning like you’ve just been forced to smoke a whole pack of unfiltered cigarettes – you’ve got the cold sweats, your insides feel poisoned, and you’re probably gonna puke, but god damn it you’re hooked




5). Destroyer of Light - "Chamber of Horrors" (719)


I will have to say that this album falls into an epic category for its great compositions, the honest heart involved in creating such a journey of ebb and flow, the range of emotion that continues what true music is about; music that continues what early St. Vitus and Trouble were doing, but DoL are creating it their own way.









4). Cirith Ungol- "King of the Dead"(Ultimate Edition) (724)



It's a very engaging listen, 33 years on and is an absolute must have for any fan of doom- or anyone looking at how the genre started to really form into something (along with the work of Vitus, Trouble et al).  An essential album and a worthy reissue. Enrich your record collection and your life by buying it!








3). Melvins - "A Walk With Love & Death"(727)



On “A Walk with Love and Death”, the Melvins do both things that their cultish fans love about them, and do them both damn well.











2). Venomous Maximus - "No Warning" (731)



In some places on the album, those qualities are phrased in the same ways that fans have come to expect, and so admirably, but in other spots on “No Warning”, Venomous Maximus explore new ways to do that which they’ve always done: create infectiously and wonderfully diabolical music.









1). Olde - "Temple" (866)



Olde’s “Temple” is doom metal done the way it should be. It is well-crafted, forward-thinking, and a contender for one of the best records of the year.











A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  July 2017’s “SOUR 16” features reviews by:  Richard Maw, Daniel Jackson, Charlie Butler, Ben Fitts, Mark Ambrose, Mark Tremblay, Jay Hampshire, Jack Taylor & Eric Crowe.

Sunday, 23 July 2017

ALBUM REVIEW: Cirith Ungol - "King of the Dead" (Ultimate Edition)

By: Richard Maw

Album Type: Full Length (Reissue)
Date Released: 28/4/2017
Label: Metal Blade Records



It's a very engaging listen, 33 years on and is an absolute must have for any fan of doom- or anyone looking at how the genre started to really form into something (along with the work of Vitus, Trouble et al).  An essential album and a worthy reissue. Enrich your record collection and your life by buying it!



“King of the Dead”(Ultimate Edition) CD//DD//LP track listing:

1. Atom Smasher
2. Black Machine
3. Master of the Pit
4. King of the Dead
5. Death of the Sun
6. Finger of Scorn
7. Toccata in Dm
8. Cirith Ungol
9. Last Laugh (Live)
10. Death of the Sun (Alternate Mix)
11. Master of the Pit (Live)
12. King of the Dead (Live)
13. Cirith Ungol (Live)


The Review

Cirith Ungoloccupy a strange place in the book of heavy metal; a true cult band that mixed sword and sorcery themes with classic rock, traditional metal and true doom, all punctuated by Tim Baker's unique (the best word for it) voice. “Frost and Fire” was a good debut- with one foot in the 70s. “King of the Dead”, meanwhile, is regarded by many as their best album, being as it was self produced which gave the band a certain amount of freedom to do what they wanted. The band now occupy a similar space to Manilla Road- cult, underground, quirky and worshipped by their true disciples.

This ultimate edition of the revered album gives a new remastered sheen to the main album and adds on some live tracks and alternate mixes. The album itself sounds... pretty great, actually! This is a well produced record with an unusual sound. The lead work reminds me of Iommi (in tone as well as content), the bass is prominent (as per the debut) and the drums still pack a forceful percussive sound.

Let's be honest, the album is a classic; it's weighty, but never over the top in terms of heaviosity . The songs are there- “Atom Smasher” and “Black Machine” are a fearsome opening twosome. “Master of The Pit” is a doom classic, straying into epic territory- as does the title track. There is some quicker stuff on here (“Death of the Sun”), more melancholy fare (“Finger of Scorn”), an instrumental (“Toccata in Dm”) and the band's theme song. It's a very engaging listen, 33 years on and is an absolute must have for any fan of doom- or anyone looking at how the genre started to really form into something (along with the work of Vitus, Troubleet al).

The ultimate edition comes with the aforementioned bonus tracks- live versions (some very recent, some contemporaneous), alternate mixes and what have you- but as usual, all you really need is the original album- particularly in this superior audio form. The remaster is great and made my old CD sound very wooly indeed. An essential album and a worthy reissue. Enrich your record collection and your life by buying it!



“King of the Dead”(Ultimate Edition) is available here


Band info: bandcamp || facebook

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