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Showing posts with label Whores.. Show all posts
Showing posts with label Whores.. Show all posts

Tuesday, 10 January 2017

TRACK PREMIERE: Chicago's cavernous riffs generators Escape Is Not Freedom debut "Night Light"

By: Aaron Pickford



Hailing from Chicago, IL, the genre of noise rock and its forbearers have undeniable imprinted upon the DNA of today’s featured band Escape Is Not Freedom.  Crossings the boundaries of rock, sludge, noise and grunge, this trio convulsant manage to generate a cacophonous racket, where riffs are monotonously cavernous whilst retaining a strong sense of melody and originality. With influences ranging from the AmRep bands of yore through to Julie Christmas and Rabies Caste, Escape Is Not Freedom new album “Goldsmith” is further proof that the noise rock movement is alive and well, are will surely see the band garner praise in much the same way their peers, Wrong and Whores., have garnered over the last 12 months.

With “Goldsmith” set for release on February 24th 2017, today you can get your first taste of the record with this exclusive premiere of the track “Night Light” with following parental advisory sticker: guaranteed to riff you the fuck out.  Check out the track below, follow the band in the usual places and preorder a copy here



Band info: bandcamp|| facebook

Monday, 19 December 2016

ALBUM REVIEW: Whores. - "Gold"


By: Jake Wallace & Victor Van Ommen

 
Album Type: Full Length
Date Released: 28/10/2016
Label: E.One Heavy |
SPV Steamhammer



 

“Gold” is more than an album, it’s an invitation to get your ass down to the rock show and have it get beat in the pit.

“Gold” CD//DD//LP track listing:

1). Playing Poor
2). Baby Teeth
3). Participation Trophy
4). Mental Illness as Mating Ritual
5). Ghost Trash
6). Charlie Chaplin Routine
7). Of Course You Do
8). I See You Are Also Wearing A Black T-Shirt
9). Bloody Like the Day you were Born
10). I Have A Prepared Statement

 

The Review

Atlanta 3-piece noise punk merchants Whores. have returned with more no-holds barred behaviour on their new release 'Gold' which came out on October 28th on E.One Records. This band certainly need no introduction but for those unfamiliar, it can be described in a couple words... nasty fucking noise 

The album has an impressive 10 tracks and each one is a brutal, unrelenting assault in its own right. The other mind-blowing aspect of this band, is the fact that despite only having 3 members, they manage to create a towering, heavy sound.  To kick things off, Track 1 is called 'Playing Poor'. The first few seconds give you a taste of what's to come with that rumbling fuzz bass and before you can register what's going on, the song takes off into their trademark style of aggressive noise punk. It's a super tight unit and the vocal style fits the tempo and heaviness of the riffs wonderfully.  

'Baby Teeth' comes next and tips the scale into sludgier territory. The guitar and bass tones are heavy as Christ and the drums pummel away like a sledgehammer. The breakdowns towards the end with isolated bass are great and once the whole unit comes back in again it is carnage. If you had any baby teeth before this song started, you'll be sure to be spitting them out once it's over.  'Participation Trophy' is the third track on the album. Another ripping riff to begin with and then the vocals start to take the lead, shouting every syllable with utmost viscerality. Parts of the vocals on this track remind me of Maynard James Keenan after smoking 100 Marlboro with a throat infection. Very heavy shit indeed.  

'Mental Illness As Mating Ritual' has one of the many excellent song titles on this record. Whores. are merciless when it comes to riff writing and every last one of them are ferocious. The thick, fuzz bass fills every crevice of space in the low-end and the guitar has freedom to run riot on top of it.  'Ghost Trash' comes next and begins with a Clutch-styled riff before going into one of the many isolated bass breakdowns. The dynamics of having little touches of clean guitar among this monstrosity is a great effect and when the pedals are kicked in, you really notice how powerful the riffs are. The drums are particularly great on this track with some excellent fills between the episodes of manic noise-craft.  

'Charlie Chaplin Routine' ups the tempo and delivers a crucifying barrage of instrumentation. High octane behaviour that crosses a brief area of sludge halfway through before returning to the fast-paced wrecking ball that the song started with.  'Of Course You Do' is a straight up stoner rock track in the vein of Kyussor Melvinsand has some fantastic drumming keeping the ship afloat. There are some killer riffs in this track and it never loses steam as they keep churning out the goods. The last section at around 3 minutes sounds like a flight of hornets besieging a burning city to eradicate any living survivors. Devastatingly heavy.  

Track 8 ‘I See You Are Also Wearing A Black T-shirt' wins my award for the best song title of 2016. Coarse screaming vocals leading the onslaught with pure disdain for whatever makes him so angry. This track has a bit more of a traditional punk structure and the riffs are so weighted that Chuck Norris may need a few extra eggs in the morning to attempt to carry them.  'Bloody Like the Day You Were Born' is the penultimate track on the album. It is maybe one of the angriest sounding tracks on the album and the atmosphere is filled with psychotic fury. Yet again, they make superb use of the sections without guitar, allowing the bass sounds to permeate through and provide a pedestal for the 6 string to rear its ugly neck.  

The final track on the album 'I Have a Prepared Statement' is without a doubt my favourite track. Saving the best for last and all that. It begins with some guitar feedback which gives way to the beast lurking behind. The patient drums help build the moment up and the faint sound of the bass riff under the feedback makes you want to beg for the guitar to rip in and complete the trifecta. And it does. One of the best riffs I've heard in a long while and the vocals linger nicely between words to drag out this powerhouse. The lyrics 'I'm gonna sink this ship, down, down down!' are extremely catchy and seem to use up every last drop of energy that Christian Lembach has. The brief false stop at 4:40 makes you desperately hope the riff will return and before that thought has time to process... it's on top of you. It's a hugely impressive track and definitely what I would've picked to close the album.  

Whores. displays a keen sense of what makes a song a song by making sure that each riff, verse, or drum fill spins violently around a hooky chorus, like water does a drain. Coupling hard rhymes with a gruesome distortion on pretty much every instrument is the formula that makes these songs burst at the seams, literally. “Gold” is therefore more than an album, it’s an invitation to get your ass down to the rock show and have it get beat in the pit.

Gold” is available everywhere now

Band info: facebook|| bandcamp

Saturday, 19 November 2016

REVIEW: HAAN - "Sing Praises" EP

By: Chris Tedor

Album Type: EP
Date Released: 14/10/2016
Label:  Kaos Kontrol



A riveting debut from a band that successfully integrates the feel of noise-rock with the fury and aggression of hardcore, spitting out an arty hydra of epic proportions.

"Sing Praises" DD//LP track listing:  

1). The Cutting (03:03)
2). Shake the Meat (03:08)
3). War Dance (03:40)
4). Pastures/Abuelas (08:34)

The Review:
I threw this on at work and the thing that came to mind was SMASH STUFF.  As I cannot punch any of my patients, I stayed tuned in for an abrasive blend of noise rock and hardcore.  HAAN’s debut EP "Sing Praises" starts heavy and ends heavy.  Starting with the caustic opener "The Cutting" which never lets up throughout its length, gorging us on a riff-fest of epic proportions.
The second track "Shake the Meat" has a crazy layout and jumps furiously all over the place with scything guitar over rolling drumbeats.  Syncing into the heavy but brief head nodding chorus which transitions on second pass into a nice brief open section before coming back with some furious almost tremelo picked punk fury definitely a fun song that I'm sure is killer live.
The third track "War Dance" starts with a plucked Native American feeling open riff with some simple but pretty decent clean singing.  With a cool moving chorus when HAANbreaks back into the verse they add some cool rhythmic syncopation that I can only describe as being similar to Tomahawk's more straightforward songs.  
Closing their debut EP "Pasture/Abuela" starts with some choice bass grind moving under some feedbacking guitar melody as the vocals kick in.  A song that begins almost strangely out of place, "Pasture/Abuela" delves into deeper sonic territory then the proceeding tracks and includes a slick noise/feedback guitar freak-out in lieu of a chorus.  The bridge of "Pastures/Abuela" brings the song back to ground with a spiralling Unsane style riff which meanders into some cool changes.  An awesome track that literally flips genre mid song but is written so well it's completely seamless.  As the track concludes I am left wondering which tracks are my favourites and honestly they are all really good.
A riveting debut from a band that successfully integrates the feel of noise-rock with the fury and aggression of hardcore, spitting out an arty hydra of epic proportions leaving me eagerly wishing for a full length/full US tour. 

“Sing Praises” is available here
Band info:  facebook || bandcamp

FFO: Helmet, Unsane, Whores.

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