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Showing posts with label Kraut Rock. Show all posts
Showing posts with label Kraut Rock. Show all posts

Monday, 16 July 2018

REVIEW: Smock, "Interstellar Nobdy" [EP]

By: Mark Ambrose

Album Type: EP
Date Released: June 15, 2018
Label: Independent



Smock harnesses the darkest corners of retro rock, riding on surf guitar lines, fuzzed out bass, tight as fuck drum fills, and the often sweet but occasionally sinister vocals of Jenne Benicaso.

“Interstellar Nobody” DD track listing

1. Interstellar Nobody
2. Weird One
3. High Life
4. Bleach

The Review:

Maybe it’s the heat.  Maybe it’s the relentless humidity.  Maybe it’s that godawful haze that hangs over the industrial skyline.  But for me, this summer has been punctuated by tripped out psychedelic, punky, metallic garage rock weirdness.  In the same way that black metal treks through frozen tundra feels most effective after the truly bitter January chill has set in, the slick, sweaty, kind of nauseating midsummer swelter makes me feel like around every corner there could be a freakish Robert Crumb caricature or a roving pack of S. Clay Wilson pirate-bikers primed to bash my face with a bottle.  And there are few records as appropriate for these paranoid delusions as “Interstellar Nobody”, the debut EP by NJ’s own Smock.

A lot of neo-psych lays the flower power bullshit on thick, missing the speed-addled discomfort inherent in a lot of the best shit that influenced a generation of Pebbles and Nuggets listeners.  I mean, sure, the blissful Eastern mystic stuff has its place, but does it rock?  Not hardly.  Thankfully, Smock harnesses the darkest corners of retro rock, riding on surf guitar lines, fuzzed out bass, tight as fuck drum fills, and the often sweet but occasionally sinister vocals of Jenne Benicaso.  When, on closer “Bleach”, he croons “You know it. / I’ll wait, I’ll wait / I’m still waiting for you…” there’s something a bit unsavory, especially layered with reverb and over a krautrock progression their forebears from Neu! would be proud of.

The title track on is a sweet slice of doomy stoner rock that reminded me of the most promising tracks by Uncle Acid, but unlike the steadily midtempo jams of the English post-Wizard class, Smocklaunches into faster garage punk on “Weird One”.  The warbling, trebly high end guitar work of Benicaso and Zach Inkley is deftly balanced by Cameron Smith’s hefty bass tones, and the steady rhythms (courtesy of Dee Morris) makes “Weird One” the type of banger someone could (gasp!) maybe bop along to.  “High Life”, the fastest song on the EP, is also the most neurotic.  Benicaso’s hallucinatory narrations – “Sun becomes the sky / The Mud turns into the clay / The kingdom crumbles down / Are you listening” – are eerie but strangely beautiful.

“Bleach”, the aforementioned krautrock-indebted closer, is really a marvel and a testament to how promising this quartet is.  The opening buildup feels like the classic live-in-studio cuts of the garage greats Smock draws from, but organic, in this case, doesn’t mean low quality.  Both guitars are balanced in the mix, the bass has a solid presence, and Benicaso’s vocals maintain that distance in the mix that more rock bands need to aspire to.  The guitar harmonies are really lovely too, and manage to sound heavy without sounding like atonal noise.  It’s the rare record that drew me in more the further I went, and left me aching for the next (hopefully full length) release.  And while it’s the perfect jam for my summer, I’d be happy to spin these tracks any time of year.


“Interstellar Nobody”is available at here



Band info: bandcamp || facebook

Wednesday, 7 March 2018

EXCLUSIVE TRAILER: Genre and Where Earthless Fits


San Diego-based trio Earthless return with their new full-length album “Black Heaven” on March 16 via Nuclear Blast Entertainment.  As commented on this here blog, the synchronicity displayed and the deep understanding of each other’s playing styles sets them apart from most instrumental jam bands right now, the trio, consisting of Isaiah Mitchell (Guitar), Mike Eginton (Bass) and Mario Rubalcaba (Drums) have an untouchable ability to jam flawlessly, fusing heavy psychedelic rock with krautrock and blues.  Today THE SLUDGELORD are thrilled to be able to share an exclusive trailer of the band sharing their thoughts on genre and where Earthless fits.  “Black Heaven” is available here 



Band info: facebook

Saturday, 3 February 2018

SATAN'S DOZEN: 13 Unearthly Hymns Unearthed #6 (January 2018)

Compiled by: Andrei Moose
Artwork by: Josh Mashesh



SATAN’S DOZEN is THE SLUDGELORD’s attempt to present the very best music the underground scene has to offer and whilst we’d love to review every band submission we receive, not to mention the countless recommendations you send our way, in practical terms that is just not possible.  Therefore because we don’t want killer music to pass you by, each and every month our member of the Russian chapeter Andrei Moose  painstakingly sifts through the music labelled  killer  riffs” and chooses 13 of the best new albums released via bandcamp and bundles them together into the mightiest riff sandwich.

Whilst all the albums we have included below are top tier stuff, we have compiled them into a chart on a sliding scale of 13-1. So we hope you dig our selections for January 2018 and enjoy 13 Unearthly Hymns Unearthed.  

These bands need more exposure, so go “like” “share” and “follow” their pages, but most of all enjoy some of the best music the underground has to offer.  THE SLUDGELORD most sincerely approves.   Now, go heavy or go home.

13) Sons Of Nibiru – “Hellspirit” (Rzeszow, Poland), Released December 16, 2017

Psychedelic / Stoner-Doom

   
12) Borgonaut – “Borgonaut”EP (Trieste, Italy), Released January 31, 2018

Stoner-doom / Sludge

   
11) FILTHxCOLLINS / SKINLOVER“Split 7” (Cardiff, UK), Released January 21, 2018

Sludge / Grindcore / Powerviolence

   
10) Taser – “Social Exclusion Blues” (Lahti, Finland), Released January 19, 2018

Sludge

   
9) Dowager – “Hymns for the Dead” (Los Angeles, California), Released January 1, 2018

Stoner-Doom

     
8) Nerveshatter – “Madhouse”(New York(, Released January 9, 2018

Noise / Hardcore / Sludge

   
7) Troll Teeth – “Boiled Alive” (New Jersey), Released January 1, 2018

Psychedelic / Stoner-Rock / Stoner-Metal

   
6) Psychic Lemon“Frequency Rhythm Distortion Delay”(London, UK), Released January 12, 2018

Instrumental / Psychedelic / Kraut / Prog / Rock

   
5) Floaters – “WAITING FOR AMNESTY” (Tokyo, Japan), Released December 29, 2017

Stoner-Doom / Sludge



4) Smoke – “Stoned To Death” (Houma, Louisiana), Released January 12, 2018

Stoner-Doom / Sludge


   
3) The Mothercraft – “Pillars” (Edmonton, Alberta), Released January 5, 2018

Stoner-Rock

 
2) Legalize Crime“Beat The Law” (Wroclaw, Poland), Released March 30, 2017

Sludge / Hardcore / Stoner-Metal

    
1) Orphans Of Doom – “Strange Worlds/Fierce Gods” (Kansas City, Missouri), Released January 26, 2018

Progressive/ Sludge / Doom / Metal



Friday, 31 March 2017

INTERVIEW: "A Body of Work" - An Interview with Stefan Koglek of Colour Haze

By: Victor Van Ommen



Ah, Colour Haze. For 25 years, this German band has been gently making big waves in the heavy psych genre. Their grainy, organic sound and melodies are unique to Colour Haze and have set a blueprint to which other European psych bands are trying to play to.

This month, Colour Haze – Stefan Koglek on vocals and guitar, Philipp Rasthofer on bass, and Manfred Merwald on drums – released on CD yet another masterpiece of an album, “In Her Garden,” on their own Elektrohasch Records. The review for this album is pending until I receive the vinyl release, because that’s the best way to take this band in. The vinyl won’t be out until May so you'll just have to whet your appetite for more Colour Haze with the interview below.


Band info: official || facebook

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