CSS

Showing posts with label Grim Van Doom. Show all posts
Showing posts with label Grim Van Doom. Show all posts

Tuesday, 14 March 2017

TOP 16 ALBUMS: The Sour 16 for February 2017


Let it be known fellow Sludgelordians, “The Sour 16” returns.  The Sludgelord presents the very best riff based music to pour scorn on this desolate day and strike upon us the might of the riff, to inject our veins with sin and guide us on journey of subservice to doom, an act that goes against the very laws and teachings of populist culture, and for those that wish to come with us on our quest, kneel with me as we embrace the thunderous din that is, “The Sour 16”.

You know the drill by now, each month, you the reader are unwittingly compiling a list of the top 16 records of the month, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  To put it simply, “The Sour 16” are the records that have been trending the most at Sludgelord Headquarters.

The results are compiled based on page views alone and calibrated into the list below.  All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication are highlighted in red)

16). Morta Skuld - "Wounds Deeper Than Time" (579)


15). Crystal Fairy - "Crystal Fairy" (629)


14). Woe - “Hope Attrition” (660)


13). Weltesser - "Crestfallen" (711)


12). Grey Widow - "II" (720)


11). Dread Sovereign - "For Doom The Bell Tolls" (739)


10). Brutus- "Burst" (820)
9). Wiegedood - “De Doden Hebben Het Goed II” (924)


8). Psychedelic Witchcraft– “Magick Rites and Spells" (979)

  
7). Darkest Hour - “Godless Prophets & the Migrant Flora”(1011)


6). Death Alley - "Live At Roadburn" (1023)


5). Cult of Occult / Grim Van Doom - "Split" (1096)


4). Sleep - "The Clarity" (EP) (1437)


3). DOOL - "Here Now, There Then" (1439)


2). Unearthly Trance - "Stalking the Ghost" (1526)


1). Widows - "Oh Deer God" (1705)


A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful. February’s  “Sour 16” features reviews by:  Victor Van Ommen, Ben Fitts, Theron Moore, Brandon Green, Charlie Butler, Chris Bull, Jake Wallace, Conor O’Dea & Grim Trashcan

Wednesday, 8 February 2017

ALBUM REVIEW & PREMIERE: Cult of Occult / Grim Van Doom - "Split"

By: Ben Fitts


Album Type: Split
Date Released: 15/02/2017
Label: Vendetta Records


Plump, earthy bass tones, ominous, cymbal-heavy drumming, hellishly guttural vocals and filthy guitar distortion are set to a tempo that makes Sleep look like a grindcore band. All of these elements remain constant throughout the twenty-two minutes of “Black Sea”, giving the song an endless, trance-inducing feel.  Grim Van Doom’s side of the album has very little fat on them; they are all lean, brutish works of harsh sludge that churn your stomach and make the marrow of your bones tremble.


Cult of Occult / Grim Van Doom DD//LP track listing:


1). CULT OF OCCULT - "Black Sea"
2). GRIM VAN DOOM – "Crimson"
3). GRIM VAN DOOM - "Interlude"
4). GRIM VAN DOOM - "Rust"
5). GRIM VAN DOOM - "Azure"


The Review:


The split album by the sludge bands Cult Of Occultand Grim Van Doom starkly contrast the two very different approaches that the two bands bring to the same genre. But, if anything, that contrast grabs the listener. Cult Of Occult’s half of the album is one, twenty-two minute long track titled Black Sea”. It rumbles like a distant demon patiently clawing its way out from hell, one massive handful of earth at a time. Plump, earthy bass tones, ominous, cymbal-heavy drumming, hellishly guttural vocals and filthy guitar distortion are set to a tempo that makes Sleeplook like a grindcore band. All of these elements remain constant throughout the twenty-two minutes of “Black Sea”, giving the song an endless, trance-inducing feel.

The half of the album given to German quarter Grim Van Doom is rather different. Containing three songs and a brief interlude, Grim Van Doom’s side of the album is like a punch in the face from a spiked, steel gauntlet. While all three song’s on Grim Van Doom’sside of the album cross over the five minute mark, there is still a feeling of very little fat on them; they are all lean, brutish works of harsh sludge that churn your stomach and make the marrow of your bones tremble. Pungent tones grate against your eardrums as they doll out riffs that sound as if they had been written by someone who had spent the last two decades fuming at past transgressions and plotting revenge.

Having the music of these two different bands stacked side by side is an effective way of exaggerating the qualities of both. Both Cult Of Occult and Grim Van Doom create music that is firmly within the sludge metal sphere, so there is enough similarity for coherence. However, while each band grabs sludge by the throat, they do so from disparate angels. Cult Of Occult’s slithering journey through the abyss brings out the pounding, martial energy of Grim Van Doom, who in turn make the hellish sounds Cult Of Occult that much more vivid.


“Cult of Occult / Grim Van Doom” is available here





handapeunpost