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Showing posts with label Desolate Pathway. Show all posts
Showing posts with label Desolate Pathway. Show all posts

Saturday, 10 December 2016

TOP 16 ALBUMS: The Sour 16 for November 2016


It is that time once again people to cast our minds back, and digest the 16 albums that would become November’s most viewed albums and form the basis for our sacrilegious ‘Sour 16’, the finest and most profane riffs around bundled together into a premium sized sonic soufflé.

You know the drill, each month; you the reader are unwittingly compiling a list of the top 16 records that we featured in November, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  The ‘Sour 16’ are the records that have been trending the most at Sludgelord Headquarters.


The results are compiled based on page views alone and calibrated into the list below. All reviews and streams can be viewed by clicking the artwork . (Total views since their publication are highlighted in red). 

16). Spirit Adrift - "Chained to Oblivion” (380)

This album is elegantly forged from beginning to end, and has no definable weak chinks in its armour.  Overall, this is likely to be an AOTY candidate for me, and one I have found myself returning to again and again in a variety of moods.


15). Superjoint - "Caught up in the Gears of Application" (381)

This is gnarly and nasty music made by a figure that is both revered and reviled. Through all the controversy, one thing keeps me coming back to listen to Anselmo: the quality of the music. And the music is as potent as ever. A storming return.


14) Animals As Leader - "The Madness of Many " (388)

Tosin Abasi and company find expressionism through mathematic complexity.


13) The Judge – “The Judge (399)

This one is crazy good, and crazy Sabbath inspired too. Give this band a listen, you’ll dig it.



12). Wasted Theory - “Defenders of the Riff (417)


11). Desolate Pathway - "Of Gods & Heroes" (420)

Make no mistake, Desolate Pathway have delivered an epic doom record of epic proportions: light and shade, massive riffs, great performances, a downcast atmosphere... it's all here


10). Fvnerals - "Wounds" (443)

“Wounds” is a captivating set of songs that are simultaneously heavy and delicate. FVNERALS unique brand of doom-filtered slowcore creates a powerful feeling that stays with the listener long after the final note has rung out.


09). Holy Serpent - "Temples" (473)

All in all, “Temples” is a great record.  Holy Serpent nailed it.  The songs are well crafted, well-structured, the vocals are right on and the music is perfect parts psych, doom, sludge and out right heaviness.  Don’t hesitate, buy “Temples” immediately.


08). Dusteroid – “To Fathom Hell” (475)

They serve up a king size slice of skull crushing, heavy Sludge that feels like being hit with a sledgehammer repeatedly. Job extremely well done and then some


07). The Dead At Sea - "The Dead At Sea" (479)

A potent blend of early-Pelican crunch and Kyuss-style riffage, The Dead At Sea distil the sound of desert rock sinking into a cold watery grave.  “The Dead At Sea” is a compelling combination of killer riffs and hushed menace that perfectly evoke the bottomless depths of the ocean


06). Ortega - "Sacred States (500)

Ortega are not the first band to fuse post metal, doom and spaced-out sludge but they succeed by doing it bigger, better and heavier than most.  Sacred States” sees Ortega take their sound to the next level, delivering on the promise of previous releases and stretching out towards bold new horizons.


05). Call of the Void "A.Y.F.K.M." (508)

Call Of The Void’s sound is a potent cocktail of punk attitude and rock’n’roll swagger coated in a thick layer of sludge aggression. “AYFKM” is an intoxicating adrenaline rush that will keep you coming back for more.



04). 11Paranoias - "Reliquary for a Dreamed of World" (512)

What sets 11PARANOIAS apart from other bands operating in the realms of psychedelic heaviness is the otherworldly atmosphere they conjure. Every note is enshrouded in a hazy fog that lends their music a darkly unsettling feel.



03). Ghoul – “Dungeon Bastards” (828)

So many bands try to do what Ghoul is doing and just can't fucking get it right. This is a perfect storm. Superior song writing, technical prowess, and an awesome aesthetic.



02). Mother Mooch - "Nocturnes" (991)

Their blend of psychedelia with grunge and stoner rock/doom is a highly sought after formula and Mother Mooch are keeping the secret closely guarded - and rightfully so.  ‘Nocturnes’ is an astounding album from a band that have the potential to conquer the world.


1). Metallica - "Hardwired…To Self Destruct" (1565)

Metallica have rediscovered their mojo, brought the heavy and most importantly appear to be enjoying themselves. An album, of two halves, with a cracking opening salvo on side “A” and “B” side, marred only by one throwaway track.  If not perfect, it is the best music they have produced in over two decades and is the natural successor to the Black Album. 


A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  September’s “Sour 16” features reviews by:  Richard Maw, Theron Moore, Charlie Butler, Conor O’Dea, Jake Wallace, Eric Crowe, Rick Ahmed, Bobo Coen & Phil Weller

Monday, 14 November 2016

ALBUM REVIEW: Desolate Pathway - “Of Gods and Heroes”


By: Richard Maw

Album Type: Full Length
Date Released: 22/10/2016
Label: Independent



Make no mistake, Desolate Pathway have delivered an epic doom record of epic proportions: light and shade, massive riffs, great performances, a downcast atmosphere... it's all here

“Of Gods and Heroes” CD//DD track listing:

1). Intro
2). The Old Ferryman
3). The Perilous Sea
4). Medusa’s Lair
5). Into the Realms of Poseidon
6). Enchanted Voices
7). Gods  of the Deep
8). The Winged Divinity
9). Trojan War

The Review:

Desolate Pathwayfollow up their rather excellent debut with this, their sophomore release. Musically, this is doom. Trad doom, to be precise. It's low and slow, but with clean and clear vocals which weave stories of ancient myths in amongst the riffery.

The themes here take in exactly what the title denotes; ancient myths and legends- tales of courage, magic and honour. “Enchanted” Voices runs the gamut of doom riffage with slow, mid paced and swinging variants all getting an airing. You can play spot the reference/mythology as the album progresses. Medusa gets a look in, as does Poseidon (as you will know from the advance single), the Iliad, or more specifically the battles and characters involved, gets a look in on “Trojan War” and all of it is delivered with a gravitas worthy of Christopher Lee at his peak.

This is epic stuff: big melodic vocals, big riffs and solos from Vince and nicely dynamic drumming from Mags (making full use of the kit; lots of cymbals, double kick, toms... but never cluttered). It's dark too (the intro to “Medusa's Lair” is classic full on doom before echoing that classic Sabbath riff from their fifth album). The guest bassists put in solid performances when they appear (take a bow Sealey, my compatriot in Iron Void) and over the course of the eight tracks proper the album is a journey through the darker sections of the ancient world.

Make no mistake, Desolate Pathway have delivered an epic doom record of epic proportions: light and shade, massive riffs, great performances, a downcast atmosphere... it's all here (in fact, it's all in the opener “The Old Ferryman”, let alone the rest of the album). Doom fans can buy this one safe in the knowledge that they are in for a treat.

“Of Gods and Heroes” is available here

Band info: bandcamp|| facebook

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