TOP 16 ALBUMS: THE SOUR 16 (November 2017)

As we enter the countdown to Christmas and with a mere 17 days to go it is time to present 16 of the best albums from September, it is time for your SOUR 16. 

You know the drill by now, each month you the reader are unwittingly compiling a list of the top16 records of the month, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  To put it simply, THE SOUR 16 are the records that have been trending the most at SLUDGELORD HQ.

The results are compiled based on the amount of page views the reviews have received and are then calibrated into the list below.  All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication are highlighted in the red)

16). Sect – “No Cure for Death” (823)

Sect have set the standard for hardcore music and what it should aspire to in 2017. If you’re looking to heavy music with a message, look no further than “No Cure for Death”.

15). Slabdragger & Wren - “Mothers Of The Beef And The Magic Of Invention” [Split] (874)

Both bands deliver the best kind of cover version; one that takes the source material and imbues it with their own unique spirit to create something new and exciting.  An essential purchase for any fans of the UK heavy underground and maybe it’ll turn some old Zappa and Beefheart heads towards the sludgier side of life too

14). Cannibal Corpse - "Red Before Black" (938)

Once again, Cannibal Corpse have crushed all in their wake and returned as conquering anti-heroes of the death metal genre.  Cannibal Corpse remain the death metal band by which many other death metal bands are judged and remain my go-to band of choice if I want to listen to something extreme, violent, uncompromising and also oddly, inexplicably, insanely listenable.

13). Hooded Priest - "The Hour Be None" (959)

This is doom metal that will appeal to anyone with a sense of theatre and anyone who wants to bang their head as well; there is some great metal on offer here. Huge and sprawling in its ambition, “The Hour Be None” is a doom tour de force and I recommend it highly.

12). Amenra - "Mass VI" (1054)

Amenra’s music is real and comes across as brutally honest. The formula (sonic + emotional heft) = (a heavy album) is one that’s been done many times before, but what Amenra does that sets them apart from the pack is the diligence they use when drinking from the well of inspiration. Amenra makes their listener feel and live with them. This keeps Amenra in touch with why they started making music in the first place. It’s this artistic integrity that helps make “Mass VI” what it is. 

11). Pale Horseman - "The Fourth Seal" (1084)

Pale Horseman offers a special sort of heft to their music, with mesmerizing guitars convulsing, vocals crunching  and the drums creating a war beat that is stifling in weight.

10). Fister & CHRCH – “Fister/CHRCH” (Split LP) (1120)

Over the course of nearly forty minutes, CHRCH and Fister, employing different sonic palettes and lineups, craft a perfect split for the moment: unholy, polluted, funereal and dismal – a requiem for humanity’s end times that is as beautiful as it is ugly.

9). Manilla Road - "To Kill A King" (1205)

In summary, To Kill A King is a superb and epic metal album, forged from the finest steel.

8). Dead Quiet – “Grand Rites” (1255)

All of the nuance and balance on this record really make it an experience that never bogs the listener down. It is for these reasons, that Dead Quiet’s “Grand Rites” is one of the best Canadian Metal records of the year.

7). Purple Hill Witch - "Celestial Cemetery" (1256)

From the Deep Purple-indebted organ intro, to the bluesy pentatonic riffing, there’s no doubt that the latest LP from Norway’s Purple Hill Witch is pure retro-metal worship.  The pervasive garage metal swagger elevates some pretty raw material and proves that they have the chops to be a really excellent outlier in the doom metal underground

6). Clouds Taste Satanic - "The Glitter of Infinite Hell" (1381)

Clouds Taste Satanic’s blend of doom, stoner and sludge chords, capacious basslines and drums set an imposing climate that sets them  apart from their peers. Each cut here feels distilled down to the pitched greatness of its many influences. Guitars simmer like the hunt during a horror movie and by the albums conclusion, chances are your mind will be thoroughly mashed.

5). Converge - "The Dusk In Us" (1897)

Today, with random acts of violence, anger and pessimism dotting our timelines, maybe Converge just now seems like a soundtrack to our contemporary apocalypse

4). Godflesh - "Post Self" (2301)

It may be a disturbing, challenging last will and testament of humanity’s futurist hopes and dreams, but “Post Self” is an invigorating, complex, and honest piece of industrial metal.  Perhaps most importantly, in a genre that can be glutted with repetitive speed metal riffs and samples of shouting despots, Godflesh stands as one of the smartest bands working today.

3). Norilsk - "Le Passage des Glaciers" (2752)

French canadian doom duo Norilsk return from a two-year layoff with a surprising new album, one that gives a reengaged sound to the pair's signature style.  Norilsk manages to be bold without being alienating, and that is indeed refreshing.

2). Electric Wizard - "Wizard Bloody Wizard" (9121)

 “Wizard Bloody Wizard” transcends whatever the in-thing of the moment is, and focuses instead on musicianship, the album's all-analog approach creates a warm, vintage sound for the songs and on the whole Electric Wizard feels re-energized, whilst  remaining true to their seedy pedigree

1). Morbid Angel - "Kingdoms Disdained" (28760)

This album is a statement of intent, placing the focus on convulsive rhythm changes and dissonant, jagged riffs over accessibility.  ‘Kingdoms Disdained’ is Morbid Angel's most uncompromising album of their career and their best album in nearly twenty years, and I don’t consider that light praise.

A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  Novembers 2017’s “SOUR 16” features reviews by:  Richard Maw, Ernesto Aguilar, Daniel Jackson, Mark Ambrose, Victor Van Ommen, Charlie Butler & Mark Tremblay

ALBUM REVIEW: Nomasta - "House of the Tiger King"

By: Ernesto Aguilar

Album Type: Full length

Date Released:03/11/2017

Label: Independent

Nomasta keeps its debut highly listenable by balancing artistry with barbarism. It is those moments of elegant song writing counterbalanced by ruthless arrangements that are just timeless metal. "House Of The Tiger King" gets you hyped for whatever chapter two becomes.

"House of the Tiger King" DD track listing:

1. Death Rattles

2. The Book Burners

3. Sir Impaler

4. Alchematic

5. House Of The Tiger King              

6. This Trail Got The Best Of Us

7. At The Mercy Of Sleep

8. Hard As A Coffin Nail

9. Dawnbreaker

The Review:

Everyone says they can merge lots of styles. Far too much of the time, it is super awkward business or feels inferential. Many groups suggest they can make their many inspirations work as well as a Mastodon or Converge do. Nope. They end up sounding like Mastodonor Convergecover bands doing original music of vacillating quality instead. No need to name names. You can fill in the blanks there.

A new Leeds trio, Nomasta have had several iterations in its life. Formed from the ashes of Canaya, with Owen Wilson on guitars and vocals and Andy Richards (formerly of alternative metal act Nerve Engine) on drums, Canaya’sdissolution saw the entry of Kris Allen on bass. With that, Nomastawas born. It steps into the pocket of many sounds. The young three-piece does so with an aptitude beyond its years.

Billed as a thrash band with doom elements, you will most likely catch hardcore, progressive and sludge influences throughout "House of the Tiger King," the band's debut album. And what a journey it is.

The recording begins with "Death Rattles," which is a perfect introduction to a distinctive sound. Solid thrash synthesized with psychedelic and progressive essentials make this a worthy representation of Nomasta's vision. Though only two minutes, the cut's napalm spray of guitars and vocals are searing. It is a ferocious scene setter for "The Book Burners," which rips through with melodic thrash. The riffs are withering. The vocals are coarse. And here is where Nomasta also proves impressive: track selection comes in with a high musical IQ. "Sir Impaler" continues the onslaught, while introducing dashes of prog and hardcore, which flow exceedingly well into "Alchematic" one of the proggier cuts. It goes on more of a thrash jag two minutes in, but remains steady in that early tone, carried throughout.

The title track leads you into the second half of "House of the Tiger King." Here, the music picks up the pace with a driving rhythm section and vocals riding the crest of big riffs. The band's players have much experience beyond Canaya, and that experience seems evident as the mood cascades from heavy chords, into more smooth musical transitions. "This Trail Got The Best Of Us" sees Nomastaget darker and even denser in its thrash, while songs like "Mercy of Sleep" and "Hard As A Coffin Nail" rain down hell in the form of demonic percussion and forceful lyricism.

Nomasta keeps its debut highly listenable by balancing artistry with barbarism. It is those moments of elegant songwriting counterbalanced by ruthless arrangements that are just timeless metal. "House Of The Tiger King" gets you hyped for whatever chapter two becomes.

"House of the Tiger King"is available here:

Band info: bandcamp || facebook

ALBUM REVIEW: Converge - "The Dusk In Us"

By: Ernesto Aguilar

Album Type: Full length

Date Released: 03/10/2017

Label: Epitaph Records |

Deathwish Inc.

Today, with random acts of violence, anger and pessimism dotting our timelines, maybe Converge just now seems like a soundtrack to our contemporary apocalypse

“The Dusk In Us”CD//DD//LP track listing

1. A Single Tear

2. Eye of the Quarrel

3. Under Duress

4. Arkhipov Calm

5. I Can Tell You About Pain

6. The Dusk in Us

7. Wildlife

8. Murk & Marrow

9. Trigger

10. Broken by Light

11. Cannibals

12. Thousands of Miles Between Us

13. Reptilian

The Review:

Rarely does a timeworn saying like 'absence makes the heart grow fonder' seem more apropos as it does with a band such as Converge. It has been five years since we last heard from the storied Boston quartet, together now for just south of 30 years. Their old releases feel like they only get better with time, but there is nothing quite like a new Convergealbum, and experiencing how its sound evolves from its past outings.

Converge has long been hailed as a heavy music innovator, with an impressive track record. Among its accomplishments are "Halo in a Haystack," their iconic 1994 debut, and "Jane Doe,"the band's 2001 breakthrough release. Converge's last record, "All We Love We Leave Behind"in 2012, received madly positive reviews. Never do words like "brutal" and "beautiful" get brought up so often in conversations about a group that encompasses metal, hardcore and punk as abrasively as Converge. Yet, those words are earned through intricate songwriting, disarmingly gorgeous arrangement and consistently pioneering approaches in an ecosystem that sometimes struggles to produce truly singular music in such a content-rich age. Epitaph'sannouncement of a new Converge album and the subsequent preview of the divine song "I Can Tell You About Pain" were greeted by much excitement. The clear question is what might the layoff have done for the quartet, which had previously only done two- and three-year breaks between recordings. A lot can be said for a stretch that long. "The Dusk In Us" creates that conversation even before the first listen.

Converge's greatest gift, and why it has been so universally hailed, is their ability to pour so much emotion into its vociferous musicianship. With "A Single Tear," the initial song, it feels like Massachusetts' favorite sons were never really gone, as they pick up seemingly where they left off, while managing to tread new ground. Led by Kurt Ballou's ruthless guitar, Converge's kickoff is far more sonically complex as it unfolds. It is fast and heavy, while tense and melancholy. The track, you soon learn, is about that shared experience of finding our own self-worth, and the orchestration at once creates a mood of confusion while opening up to hope. It's Converge at a brilliant clip, and seems like a promising beginning.

Vocalist Jacob Bannon has always done a masterful job of sharing such a well of anguish as well as an almost uncomfortable vulnerability. Remember his blighted words on a song like "Jane Doe"("I want out/Out of every awkward day/Out of every tongue tied loss/I want out/Out of the burdening night sweats/Out of the rising seas of blood")? Bannon's return continues his fearlessly frank tradition in the opening, and in "Eye of the Quarrel," a dredging of old hurt and self-doubt ("I still have to wonder who let dysfunction in/The little lies, distorted truths/Smeared the perspective and made me love you/Queen of the garbage, prince of the weeds/My legacy won't inherit disease"). This cut in particular also proves to be a defining moment for bassist Nate Newton and Ben Koller behind the drums. They are a dominant force as a rhythm section within this song, and, later, in "Arkhipov Calm" and "Murk & Marrow."

What is fascinating as a feature in "The Dusk In Us" is how Converge's songwriting and Bannon's performance are further inspired by a world in constant conflict. Longtime fans know Converge has taken cues from a rotting world before, such as in "Sparrow's Fall" from "All the Love We Leave Behind." Today, with random acts of violence, anger and pessimism dotting our timelines, maybe Converge just now seems like a soundtrack to our contemporary apocalypse. In "Under Duress," Bannon sings, "I will never kneel and kiss your ring/The sickness spreads under duress/Compassion bends under duress/Wouldn't need a gun if you didn't have one/Don't need you to serve or protect." The title track exudes an atmosphere of resistance and defiance, cautioning, "there are monsters among us." In "Cannibals," Bannon's lyrics feel most hopeless, reminding us that, if opportunism and parasitism are left unchecked, "we will not survive." Yet Convergecleverly avoid naming names or getting too topical. Instead, the band speaks to a more universal, perhaps even timeless, story: that of good and evil, oppression and freedom, self-destruction and redemption. Those are themes that are long a staple in metal and heavy music, and Convergedraw them out for some of their most compelling work yet.

In the book "Catastrophism: The Apocalyptic Politics of Collapse and Rebirth," old friends Sasha Lilley, David McNally, Eddie Yuen and James Davis investigate the popular culture and political trends that forecast a world to be reborn from the ashes of the old. The 2012 read is relevant today, and might shape some of your understanding of tales that are brought up in "The Dusk In Us." Smashing to reveal beauty comes up in fits and spurts here. By the time the album ends with "Reptilian," a standout cut for certain, Convergebegin a journey that may be further explored during our growing days of rage. "We must lose sight of the shore to know what courage means," Bannon howls. "We must lose sight of who we are to know what we can be."

Whether the world must fail to succeed remains to be seen. What is not in doubt is how missed a legendary band has been, and just how important their return truly is.

"The Dusk In Us" is available here

Band info: bandcamp || facebook

ALBUM REVIEW: Helpless - "Debt"

By: Charlie Butler

Album Type: Full Length

Date Released: 08/09/2017

Label: Holy Roar Records

Every track on “Debt” is imbued with a captivating air of spontaneity and weirdness, delivered with a terrifying level of intensity.

“Debt’ CD//DD//LP track listing:

1) Worth
2) Out Of Commission
3) Grief Vultures
4) Moral Bankruptcy
5) Sertraline
6) Weightless Prayers
7) Ceremony Of Innocence
8) Sinkhole
9) Manufactured Consent
10) Denied Sale

The Review:

Plymouth trio Helpless look set to let a fire under the UKunderground with blistering debut LP “Debt”.

A number of familiar influences on Helpless’ sound can be detected throughout “Debt”. The furious grind-infused crust of Trap Them, the metallic hardcore experimentation of Converge and the mind-melting math-metal constructions of Botch and Coalesce all make their presence felt. While there are a few current bands mining similar seams for inspiration (excellent Holy Roarlabel mates Employed To Serve for example), the way Helpless execute this combination of elements is something else. Every track on “Debt” is imbued with a captivating air of spontaneity and weirdness, delivered with a terrifying level of intensity.

The majority of the tracks here barely make it past the two minute mark but each one is packed with intricate detail. Furious ragers like “Worth” and “Grief Vultures” sit alongside mini-epics like “Weightless Prayers” where the band manage to navigate slower paced territory without letting up on heaviness.

After a nine tracks of breakneck, relentless attack, Helpless take a slight breath to allow album closer “Denied Sale” to unfurl over five minutes. It begins with their spikiest guitar line scraping over the ominous rumble of the rhythm section and builds to a crushing finale where the band unleash an arsenal of lumbering riffs.

“Debt” is an incredible statement from Helpless. There are few bands out there who can achieve such a perfect balance of spite and creativity.

“Debt” is available here

Band info: bandcamp || facebook