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Showing posts with label Nomadic Rituals. Show all posts
Showing posts with label Nomadic Rituals. Show all posts

Sunday, 25 June 2017

INTERVIEW: Belfast's soul crushing sludge doom trio Nomadic Rituals discuss "Marking the Day"


Nomadic Rituals is a three piece band from Belfast, Northern Ireland. “Marking the Day” the band’s second full length was our introduction to them and like many of the band submissions we receive they can often go overlooked by the sheer quantity and lack of time to check them, however I am glad we did not allow this band to pass us by, because fans of slow punishing doom couldn’t fail to be impressed by this three piece. The new record "Marking the Day,"released on February 17th, 2017 is for people who are into the dirtiest and raunchiest purveyors of sludgy, death-doom. Fans of Noothgrush, Indian, Serpentine Path, and Morbid Evils should definitely check them out immediately.

The overall tone of the recording is massive and thunderous. The vocals range from being predominantly harsh and scornful to clean and ethereal in a couple of small doses. Indeed this is the heaviest thing we’ve heard in a while. Hopeless, ugly, vicious, and pissed off slabs of soul destroying death-doom is what Nomadic Rituals deliver and today I pleased to welcome Craig Carson, front man for this soul crushing trio to talk us through the history of the band, their influences and the recording of their latest record.  Check it out below. 






Can you give us an insight into how you started playing music, leading up to the formation of Nomadic Rituals?


I guess it began in secondary school. I was discovering music and that eventually made me attempt to learn the guitar. I soon wanted to really play the bass as I enjoyed the heavy rhythm and grounding that the instrument provided. Years later, a friend who studied music in the same college invited me to play bass in his prog rock band. The learning curve was steep and I was essentially the least qualified, however it did not last past college and over later years my interest in playing music fluctuated. Then throughout my later teens/20’s I attempted to construct my own bands to reflect my current musical tastes but none of these ever left the practice room.  Again my music taste kept widening more until I encountered bands like Iron Monkey, Rabies Caste, and EyeHateGod. This really satisfied my need for heavy music. This was the direction I wanted my next band to go in. Again I spent time searching for the right people before I eventually found two who seemed to get it. Through different friends I met Frodo and Mark. Frodo says that I had forced him to play guitar, but I don’t recall this level of coercion. Mark on the other hand turned out to be a drummer without a band. From my experience this was unheard of as most drummers seemed to have multiple bands and absolutely no time. He thankfully needed little persuasion. After much discussion we hit the practice room, began on some ideas and things just started to come together.


For folks unfamiliar with your band, is there any bands on the scene past and present that you would use as a reference point bands to describe your band, and who or what continues to inspire you and push you to try new things?


If I had to name a few that really began as a starting point for the band, I would probably pick Conan for the sheer weight and Yob for unbelievable songs that convey great emotion. From a live perspective I wanted it to feel like Sunn O))), a challenge for sure. As for a maybe more realistic reference, someone once said we were like Winter. I’d say we possibly have similarities to bands like IRN, Ramesses or maybe even Warhorse.


As for my current interests, bands like Usnea, Buried at Sea, Fange, Love Sex Machine, and Herscher all come to mind. We all can agree on bands like Amebix, Hawkwind, High on Fire and Mastodon as being somewhat inspiring to us. Even Genesis’Foxtrot” had some subtle form of influence on the most recent album if you’d believe it.




What can you tell us about “Marking the Day” and where do you feel it sits within the context of current metal scene

‘Marking the Day’ in its simplest form follows a timeline through our universe. Each part narrates from a different perspective. As a whole, it is a journey through time and space, yet it is ultimately a loose reflection of our own reality.  I suppose it will sit over on the Doom/ Sludge side of things. Possibly for people who like heavy, sprawling albums and a bit of narrative.

Does anything spring to mind when you think about the completion of your upcoming record?

The mood I’d say is one of relief and elation at seeing this album come to fruition. Nothing makes me happier than having something solid to show for it and people willing to listen to it. I also perhaps think we are just glad that it went a lot smoother this time round.

What stands out as your overarching memory from the recording sessions?

Honestly I’d say the whole thing. We again recorded with Niall Doran at Start Together in Belfast, and we all just really look forward to taking the time out to enter the studio, it’s all fun. Niall is great to work with. He brings good ideas and seems to understand what we want to achieve.

Finally, do you have any final comments/word of wisdom you’d like to bestow upon us?

As a final note, I would like to comment on what I personally see as the underside of ‘Marking the Day’. Ultimately, it is a message of warning to anyone in the present as to what may lie ahead in the future if we blindly proceed in certain actions today. In terms of this album, humanity as we know it is currently playing out the fifth track, only minutes away from entering the sixth and final track. My own view is one of discontent at a planet ruled by a short term, profit orientated mentality. We seem blindsided to other possibilities. In the context of this album I like to think that ‘Marking the Day’ does not dictate a specific world, but rather presents one to enter and reflect upon.


Band info: bandcamp|| facebook

Saturday, 11 February 2017

ALBUM REVIEW: Nomadic Rituals - "Marking the Day"

By: Andre Almaraz


Album Type: Full Length
Date Released: 17/02/2017
Label: Independent


This is the heaviest thing I've heard in a while. Hopeless, ugly, vicious, and pissed off slabs of soul destroying death-doom is what we get here. This music makes me want to burn down my neighborhood and wallow in the remaining sludgy aftermath.


“Marking the Day” CD//DD track listing:


1). From Nothing
2). Expansion
3). Far From the Sun
4). Watching the Cycles
5). Narrow of the Light
6). Face Down in the Sea of Oblivion


The Review:


Nomadic Ritualsis a three piece band from Belfast, United Kingdom. This album is my first introduction to them and I am quite impressed. The new record is called "Marking the Day," and is scheduled to be released on February 17th, 2017.  The music captured here is for people who are into the dirtiest and raunchiest purveyors of sludgy, death-doom. Fans of Noothgrush, Indian, Serpentine Path, and Morbid Evilsshould definitely check this out immediately. The first track, "From Nothing," slowly eases the listener in and serves as a fitting introduction to what unfolds on the rest of the album's six unrelenting tracks, which ultimately clock in at a mammoth sixty minutes total running time.

The second track, "Expansion," has some nice chug and groove going on, and is slightly reminiscent of early Celtic Frost hooks. On the third track, "Far From the Sun," the song begins with a brief and extremely tasteful use of ultra low, Tibetan monk/gregorian chant style of clean vocals making this one a standout of the album for me. These vocals are very adequately executed and suits the band well to contrast and accent everything else, in my opinion. On track four, "Watching the Cycles," we are given a little room to breathe as this one is loaded with plenty of big chords left to ring out, hum, feedback, and fade away. The fifth track, "Narrowing of the Light," sees the band getting back to the land of chug. It has quite a bit of repetition and an almost mechanical and dissonant feel throughout most of it's eight minutes in length, which to my ears serves as a nod to the almighty Godflesh.

The sixth and final track, "Face Down in the Sea of Oblivion," is a true behemoth. It starts off with the return of those amazing clean vocals which we were teased with in track three, plus adds a velvety dream sequence drum and bass breakdown right before a slithering, harmonious guitar solo sweeps in to take the spotlight and usher in the end of the song. At fourteen and a half minutes, this is the grand finale that the entire preceding works have been preparing us for, to behold its gargantuan unravelling. It is our final journey into the everlasting darkness of the abyss.

All in all, I think this is a great album. The overall tone of the recording is massive and thunderous. The vocals range from being predominantly harsh and scornful to clean and ethereal in a couple of small doses. This is the heaviest thing I've heard in a while. Hopeless, ugly, vicious, and pissed off slabs of soul destroying death-doom is what we get here. This music makes me want to burn down my neighborhood and wallow in the remaining sludgy aftermath. The album is currently available for pre-sale on the artist's bandcamp page and I highly recommend you pick up a copy of this bad boy.


“Marking The Day” is available to preorder/buy here





Band info: bandcamp|| facebook

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