CSS

Showing posts with label Below The Sun. Show all posts
Showing posts with label Below The Sun. Show all posts

Saturday, 2 September 2017

TOP 16 ALBUMS: The Sour 16 (August 2017)




With English winter ending in July and commencing again in August, the summer as we know it, is over!  Now as we enter September, the sunshine may waver, but one constant source of light, is the inspiring music we embrace and celebrate. 

Mike Patton once said “what a day, when you can look it in the face and hold your vomit,” So to make things a little more bearable, allow yourself to indulge in a hefty dose of medicine, because it is time to present 16 of the best albums from August, it is time for your SOUR 16.

You know the drill by now, each month you the reader are unwittingly compiling a list of the top 16 records of the month, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  To put it simply, THE SOUR 16 are the records that have been trending the most at SLUDGELORD HQ.

The results are compiled based upon the amount of page views the reviews have received and are then calibrated into the list below. 

16). Cult of Erinyes - ‘Tiberivs’ (387)


In short, ‘Tiberivs’ is fully realized and wonderfully executed. Any black metal fans sleeping on this album are doing themselves a real disservice.





15). Mudbath - "Brine Pool" (397)


While firmly a doom metal group, Mudbath is not afraid to introduce different elements. With a shrieking vocal approach reminiscent of black metal and flourishes you might otherwise associate with drone, Mudbath manages to make it work.




14). Dead Cross - "Dead Cross" (405)


While Dead Cross don’t quite deliver the all-out face-melting insanity you may expect from their constituent parts, this debut is still an exhilarating burst of queasy punk rock mayhem that reminds most young pretenders who’s in charge.




13). Timeworn - "Venomous High" (408)


Some of the most engaging moments on “Venomous High” come when Timeworn move slightly away from their core sound.  “All Chiefs” finds the band at their most unhinged as they unleash an arsenal of spidery math-metal riffs with breakneck rock’n’roll abandon. Anyone missing Swiss behemoths Kruger will find a lot to enjoy in this killer track. “Venomous High” is a fine offering from Timeworn that takes an array of well-worn modern metal influencesand blows them up on a grand scale.

 12). Nidingr - "The High Heat Licks Against Heaven" (414)


Given the amount of average extreme music that is available, Nidingr’s release is outstanding for such depth alone.






11). Geezer - “Psychoriffadelia” (424)


Guttural guitars and raunchy drums at the ready. Geezer delivers the intensity of the Melvins, one of the group's inspirations, while giving its own unique spin to stoner rock. While many others try, this is one band that is confident enough to step out and truly make this sound their own.




10). Sunrot - "Sunnata"(480)


Those who take the plunge into “Sunnata” will still be blown away by the fierce musical skill, emotional honesty, and undeniable potential of Sunrot.  Their truly exceptional full-length debut has set a high benchmark that, one hopes, is only the opening chapter of a lengthy, groundbreaking career.




9). Below The Sun - "Alien World" (533)


What you get is nothing short of spectacular. The soundscape intersects multiple metal subgenres, including funeral doom, black metal, drone and post metal. Moods throughout are bleak, as if the rumbling seas of Solaris are flicking gently at your mind and bouncing your hopes and fears to and fro.




8). Blues Funeral - "Awakening" (624)


Close your eyes and you can hear hints of Mountain and Blue Oyster Cult throughout "Awakening." The rolling title track is a true showcase for how these inspirations have shaped the Texasband. Such attention to the details most people probably never notice further ensures a level of quality that may surprise you. Not only is the music masterfully played, but nothing overpowers the composition



7). Red Mountains - "Slow Wander" (658)


...it is so refreshing to find a release that is all at once heavy, accessible and frankly beautiful in its construction.






6). Ledge - "Cold Hard Concrete" (700)


“Cold Hard Concrete" is that uneasy masterpiece you will value even more by year's end.






5). Pyrrhon - "What Passes for Survival" (796)


"What Passes for Survival" is an uncompromising album and you will learn that fast, right out of the gate.  It is impossible to listen to Pyrrhon's magnificent new release, without admiring the band's fearlessness and technical prowess.  This album is exactly what extreme metal doubters need to hear.



4). Weed Demon - "Astrological Passages" (1040)


Weed Demon is quite willing to show they can do a diverse attack that goes beyond a Melvins-ish crunch. It can definitely throttle you with heavy, sludged out guitars and drums. Yet, as you find on "Primordial Genocide" and elsewhere, Weed Demon can go from blasting to burrowing with its arrangements, zipping from fast to slow, metal to a variation on math rock, smoothly.


3). Devil Electric - "Devil Electric" (1097)


Although you'll not find a swerve or anything wildly disparate, Devil Electric is nonetheless entrancing. In particular, the group is guaranteed to energize any fan of heavy blues reminiscent of Black Sabbath, The Allman Brothers and similar bands.




2). Venom Inc. - “Avé” (1128)


This record, is a triumph. Venom Inc. have produced a record more than worthy of the Venom name and it contains some of the best and most “Venom” moments since the early 80's. I cannot praise or recommend this record enough to fans of Venom or just metal in general. The songs, performances and production all deliver.




1). Accept - "The Rise Of Chaos" (1407)


“The Rise of Chaos” is precise, prescient, presented superbly in terms of artwork and production and, more importantly, rocks as hard as anything I have heard this year. A tour de force.





A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  August 2017’s SOUR 16 features reviews by:  Richard Maw, Daniel Jackson, Charlie Butler, Mark Ambrose, Mark Tremblay & Ernesto Aguilar

Tuesday, 15 August 2017

ALBUM REVIEW: Below The Sun - "Alien World"

By: Ernesto Aguilar


Album Type: Full Length
Date Released: 26/05/2017
Label: Temple of Torturous




What you get is nothing short of spectacular. The soundscape intersects multiple metal subgenres, including funeral doom, black metal, drone and post metal. Moods throughout are bleak, as if the rumbling seas of Solaris are flicking gently at your mind and bouncing your hopes and fears to and fro.

“Alien World” CD//DD track listing:

1. Blind Ocean
2. Mirrors
3. Giant Monologue
4. Dawn For Nobody
5. Release
6. Dried Shadows
7. Black Wave
8. In Memories

The Review:

Metal has never been at a loss for concept albums. The idea versus the execution, however, is a matter that is worthy of serious interrogation. Stories can get clunky in the context of the songs. Or the songs can overwhelm the narrative a group might have wanted to present. So, when a performer succeeds at an especially grand concept, you are virtually compelled to take notice.

For Russian experimental/post-metal band Below the Sun, the concept of the sophomore release is quite ambitious. "Alien World" is centered around the idea of human memory. The science fiction novel "Solaris" by Polish author Stanislaw Lem inspires the recording. In the 1961 tome, scientists study the mythical oceanic planet Solaris from their research ship, only to discover that the planet itself is sentient and studying them. Moreover, Solaris has the ability to turn its human subjects' innermost thoughts into material form, and to bring them face-to-face with those creations. In the end, humanity is confronted with the truth that the thinking and intentions of alien life are wholly beyond our comprehension.

Below the Sunextended its complicated storyline to its composition as well. As you listen to "Alien World," you may be astounded to know that none of the eight songs contain synthesisers or samplers. Every sound you hear was made by guitars, bass, drums and vocals, though some of it is clearly enhanced by effects pedals.

What you get is nothing short of spectacular. The soundscape intersects multiple metal subgenres, including funeral doom, black metal, drone and post metal. Moods throughout are bleak, as if the rumbling seas of Solaris are flicking gently at your mind and bouncing your hopes and fears to and fro. Those sparse lyrics? You can just about close your eyes and see the anguished vocal in the visage of Lem's scientists, as they fully realize the lifeless planet they smugly believed they were prodding is very much intelligent, and instead invading their most humbling memories. The furious roar in "Dawn for Nobody," which comes about halfway through this package, almost feels a dawn of such a realization.

What additionally makes Below the Sun's new recording so distinguished is how it strikes all these emotional places, as much as brilliant art does, without being easy to classify. You will notice at least two dozen influences, including metal, classic rock, electronic and ambient music acts. Yet Below the Sundoesn't ape them or feel like a repeat. Its concept and sound is autochthonous, a base from which others may emerge.

"Alien World" is available here:




Band info: bandcamp|| facebook || Instagram

handapeunpost