ALBUM REVIEW: Extremity, "Coffin Birth"

By: Daniel Jackson

Album Type: Full Length

Date Released: 20/07/2018

Label: 20 Buck Spin

To put out an album that stands out in what feels like a tidal wave of high quality releases is no small achievement, and the band should feel immense pride in what they’ve created here. This is mandatory listening.

‘Coffin Birth’ CD//LP//CS//DD track listing:

1. Coffin Birth / A Million Witches

2. Where Evil Dwells

3. Grave Mistake

4. Umbilicus

5. For Want of a Nail

6. Occision

7. Like Father like Son

8. Misbegotten / Coffin Death

The Review:

As seems to happen every so often, we’re in the midst of a gigantic death metal resurgence. Top notch albums are coming out from across the globe and the songwritings as good as it’s ever been. The added benefit this time around is that it isn’t all from one particular sub-style. In the past we’ve seen resurgences in early Incantation worship, Stockholm sweddeath, and others beyond. This time around, it just seems as though death metal as a whole is experiencing an uptick, with a number of bands putting it all together at the same time, across a range of styles.

In a way, Extremity embodies the entirety of death metal’s 2018 rebirth. The sonically massive recording, the inclusion of a wide range of influences, but all under death metal’s larger umbrella. As the album goes along, the songs invoke something familiar, but never outright worshipping a specific band. You’ll hear something that would feel at home on a Bolt Throweralbum, or something that would feel at home on a Carnage or Unleashed album, and even early Deathrears its head in some of the harmonized guitar leads. On ‘Coffin Birth’, Extremity takes all of these different sounds, and brings them together into a single, cohesive whole, and it fucking rules.

Each song on ‘Coffin Birth’ feels like a journey, rather than a compilation of great riffs. The band rarely ever dwell on the same idea for long, and each new place a song end up keeps the song interesting. Just looking at “For Want of a Nail” as an example: the song opens up with a lurching, climbing double kick section, before the tempo kicks up somewhat as twisting, limber riffs keep up with Aesop Dekker’s thrashy beat. After that, the song launches into an utterly crushing breakdown, in which Aesop Dekker’s masterful sense of groove and feel take center stage, the moment made all the more powerful by a breakdown riff that’s up there with “Master Butcher’s Apron” off of Carcass’ ‘Surgical Steel’, meaning it’s among the best of this decade. That’s not to mention the fantastic solo work that immediately follows, though I’m not certain which guitarist to credit Marissa Martinez-Hoadley or Shelby Lermo for it.

There’s so much going on in each and every song, and none of it ever feels forced, nor do the transitions ever feel unnatural. Each song is an ever-mutating creature unto itself and yet unified as one greater whole. ‘Coffin Birth’ is the work of musicians who’re at the height of their creative powers, standing out and claiming their own piece of an exceptional time in death metal history. To put out an album that stands out in what feels like a tidal wave of high quality releases is no small achievement, and the band should feel immense pride in what they’ve created here. This is mandatory listening.

‘Coffin Birth’ is available digitally on CD, LP, or Cassette here.

Band info: Facebook