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Tuesday, 13 February 2018

REVIEW: Green Lung - "Free the Witch" [EP]

By: David Jupp

Album Type: EP
Date Released: 19/02/2018
Label: Deckhead Records


In a genre packed with bands that draw on decades-old tone and aesthetic, it takes a mature hand to re-appropriate bygone creativity without sounding forced. Luckily there is a confidence and craft present in Green Lung’s writing that belies their months.  If Green Lung can expand the template that has served them so well across these four superb songs then a truly exciting future awaits.

“Free the Witch” CS//DD track listing:

1). Lady Lucifer
2). Free the Witch
3). Living Fossil
4). Older than the Hills

The Review:

It’s been two hundred and fifty days or so since Green Lungannounced themselves on the UKheavy-stage with their blistering demo ‘Green Man Rising.’ In the months that have passed since that promising release, the London quartet have refined their craft across a host of England’s underground stages. Now armed with a growing following and half-an-hour of new material, the question is can Green Lung transfer the heft and excitement of their live show to tape?

‘Free the Witch’ sparks with lead single ‘Lady Lucifer’ and a crescendo of crisp guitar hammer-on. As the tension builds and we reach the twenty-seventh second, Green Lung proceed to drop the hammer on what is sure to be one of 2018’s stand-out riffs. The groove on display here bangs with such an endearing audacity that you can only hope the record to follow will measure up. As guitarist Scott Masson whittles down the dirt, singer Tom Templar makes his entrance. Washed in reverb and folk-horror croon Templar transmutes the bands 70’s aesthetic, from cover to sound. ‘You smiled with lips incarnadine, whispered black magic, rites obscene.’ As the song climbs to its apex Masson cracks the reigns with an outrageous solo and “Free the Witch”’s opener sets a ridiculous standard.

Title track ‘Free the Witch’ is up next and is a much more direct affair. The lurch and swerve of ‘Evil Empire’ that crackled in the opener is now replaced with a full pelt nod to debut-era The Sword. Just as the record becomes in danger of reverting to type the arrangement peels back and Masson injects another well-judged solo. ‘Free the Witch’ lurches home on a bed of cultish chant and half-time stagger.

In making the jump to Bear Bites Studios (Vodun, Ghold) and employing Wayne Adams on production Green Lung have shed the compressed savagery of their live demo and allowed their stellar rhythm-section room to breathe. Track three ‘Living Fossil’demonstrates this upgrade perfectly and the song is all Andrew Cave’s. The arrangement follows a similar pattern but before any unwanted familiarity encroaches, Cave’s bass swaggers in for an overdriven solo. The months spent on various stages refining these cuts is evident and Templar hauls the song home, ‘Living fossil, a blast from the past.’

Green Lung’s debut closes in sprawling fashion with ‘Older than the Hills.’ Not content to banish their live demo to audio-history there is a clever re-integration of the vocal hook from ‘Freak on a Peak’but this time the extended track-length really allows the band to flex their muscles. Across its eight minutes each musician takes a moment in the spotlight, and as Masson’s guitar wails in the storm Cave and Wiseman’s rhythm section rumble home on an array of deft fills and charming girth.

In a genre packed with bands that draw on decades-old tone and aesthetic, it takes a mature hand to re-appropriate bygone creativity without sounding forced. Luckily there is a confidence and craft present in Green Lung’swriting that belies their months. This confidence is only emphasised by the fact that b-side ‘When the Axe Comes Down’ is left off their debut. When you are in a vein of writing so rich you can cast away such strong songs it can only be a good omen. And that is what ‘Free the Witch’ is, an impressive and rousing omen, of greater things to come. If Green Lung can expand the template that has served them so well across these four superb songs then a truly exciting future awaits.

“Free the Witch” is available here



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